En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Sinfonía núm. 3, "Espansiva", Op.27

La riqueza y variedad de ideas musicales que pueblan la Sinfonia espansiva de Nielsen encajó como anillo al dedo en la dirección intensa y dramática de Litton.

Carl Nielsen’s Sinfonia espansiva forms the highlight as the Estonian Festival Orchestra brings full-throated symphonic sound to Pärnu. 

Dans un programme qui sortait des sentiers battus et avec un soliste-surprise (Stephen Waarts remplaçant au pied levé Christian Tetzlaff), le BNO et son chef associé ont suscité l'enthousiasme.

Dausgaard is in his natural habitat when conducting music by his compatriot and his account of the Sinfonia espansiva proves the highlight of this Prom. 

In a bold move, guest conductor Thomas Søndergård conducts three Atlanta premieres by late-Romantic Scandinavian composers.

An interesting evening where links between Haydn and Nielsen were illuminated in bold and individual performances.

John Storgårds conducts Nielsen's sixth and third symphonies in Manchester's Bridgewater Hall. John Storgårds, who also curated a similar project of Sibelius symphonies this time last year, should be very proud of these short immersive bursts of creative energy.

Carl Nielsen’s lively, genial nature permeated the whole performance of his "Espansiva" Symphony last night at the Barbican. 

A concert juxtaposing masters and lesser-knowns can have two effects: it can illustrate the genius of the master, or it can unveil an unjustly neglected gem. New York Philharmonic’s recent offering accomplished both. The combination of Beethoven, Korngold, and Nielsen spanned a huge swath of what is loosely called Romantic music, demonstrating the peaks and valleys possible in the style.

If he could, would Beethoven have chosen Mitsuko Uchida to première his final piano concerto? They certainly seem to inhabit the same creative plane, at once revelling in the innovative – nay, revolutionary – features, whilst enjoying the grand connections with their historical precedents too.

‘Intimate symphonic playing’: an oxymoron perhaps, but in the fantastic acoustic of Symphony Hall and with the polished playing of the CBSO, somehow these symphonies, even with the tooting trumpets, blaring bassoons and sonorous strings (not to mention the tonking timpani), had the feel of chamber music.