Intérprete: Stuart Skelton

La primera jornada de la tetralogía El anillo del nibelungo se presenta en el Real bajo la dirección de Heras-Casado y Robert Carsen en una producción que cuenta con un reparto de lujo.

The Philadelphia Orchestra offers a musically and dramatically urgent performance of Wagner’s complete opera, buoyed by world-class soloists.

Wotan's predicaments provide Sydney's victory: Chief Conductor Simone Young has her musicians on some of their best form in recent years, with only a few question marks over an excellent concert performance.

Magnificent conducting from Robin Ticciati and fine singers make Glyndebourne's latest revival of Lehnhoff’s production musically rewarding, but cerebral philosophical elevation overpowers the earthy reality of lust and love.

Mahler's epic five-movement symphonic song cycle is performed by a chamber ensemble with mixed results.

Stuart Skelton explores Wagner's shattering song cycle and draws the parallels with Tristan und Isolde.

Una historia maravillosamente bien contada y entretejida con la música por un compositor sin igual

Stuart Skelton doesn't think he's an actor – but he does push audiences to the limit of their emotional pain threshold. Ahead of singing Otello in Bergen, Skelton tells us how and why.