Performer: Stuart Skelton

The Philadelphia Orchestra offers a musically and dramatically urgent performance of Wagner’s complete opera, buoyed by world-class soloists.

Wotan's predicaments provide Sydney's victory: Chief Conductor Simone Young has her musicians on some of their best form in recent years, with only a few question marks over an excellent concert performance.

Magnificent conducting from Robin Ticciati and fine singers make Glyndebourne's latest revival of Lehnhoff’s production musically rewarding, but cerebral philosophical elevation overpowers the earthy reality of lust and love.

Mahler's epic five-movement symphonic song cycle is performed by a chamber ensemble with mixed results.

The pure magic of Ádám Fischer and the Hungarian Radio Symphony Orchestra delights with two brilliant leads, but others disappoint on the second day of Müpa's Ring.

Bayrischer Staatsoper’s revival of Warlikowski’s static production of Tristan und Isolde featured a sensational role debut of Elena Pankratova as Isolde.

Stuart Skelton explores Wagner's shattering song cycle and draws the parallels with Tristan und Isolde.

A rollicking good story woven into music by a composer without peers, the ultimate operatic expression of the High Romantic aesthetic, and an opera that actually feels short at five hours.

Stuart Skelton doesn't think he's an actor – but he does push audiences to the limit of their emotional pain threshold. Ahead of singing Otello in Bergen, Skelton tells us how and why.