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Artiste: Stuart Skelton

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ReykjavíkAlina Ibragimova & Beethoven 9

Iceland Symphony Orchestra
Prokofiev, Beethoven
Iceland Symphony Orchestra; Edward Gardner; Alina Ibragimova; Harpa Ósk Björnsdóttir; Hanna Dóra Sturludóttir; Stuart Skelton

ReykjavíkEdward Gardner conducts Beethoven 9

Iceland Symphony Orchestra
Beethoven: Symphonie no. 9 en ré mineur, Op.125
Iceland Symphony Orchestra; Edward Gardner; Harpa Ósk Björnsdóttir; Hanna Dóra Sturludóttir; Stuart Skelton; Andri Björn Róbertsson

ParisWagner, Tristan et Isolde / Jaap van Zweden

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Wagner
Orchestre Philharmonique de Radio France; Jaap van Zweden; Stuart Skelton; Miina-Liisa Värelä; Kwangchul Youn; Iain Paterson
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Jaap van Zweden célèbre une grand-messe wagnérienne à la Philharmonie

C'est un vrai banquet du Walhalla wagnérien qui a été proposé : extraits des Maîtres chanteurs, de Tristan... et de La Walkyrie, avec le trio Stuart Skelton – Jennifer Holloway – Mika Kares.

Festival d’Aix-en-Provence : entendre Tristan… et mourir

L'opéra de Wagner fait l'objet d'une interprétation d'anthologie au Festival d'Aix-en-Provence... à écouter, seulement.

Yannick’s debut, Stemme’s farewell: Tristan und Isolde in Philly

Yannick Nézet-Séguin conducts the Philadelphia Orchestra and soloists © Jessica Griffin
The Philadelphia Orchestra offers a musically and dramatically urgent performance of Wagner’s complete opera, buoyed by world-class soloists.

Young and the Sydney Symphony perform a splendid Die Walküre

Simone Young and the Sydney Symphony Orchestra © Sydney Symphony Orchestra | Jay Patel
Wotan's predicaments provide Sydney's victory: Chief Conductor Simone Young has her musicians on some of their best form in recent years, with only a few question marks over an excellent concert performance.

Philosophy trumps passion in Glyndebourne’s Tristan

Stuart Skelton (Tristan), Miina-Liisa Värelä (Isolde) © Glyndebourne Productions Ltd. | Photography by ASH
Magnificent conducting from Robin Ticciati and fine singers make Glyndebourne's latest revival of Lehnhoff’s production musically rewarding, but cerebral philosophical elevation overpowers the earthy reality of lust and love.

Symphony or song cycle? Mahler’s Das Lied von der Erde in Sydney

Stuart Skelton and the Australian Chamber Orchestra © Nic Walker
Mahler's epic five-movement symphonic song cycle is performed by a chamber ensemble with mixed results.
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Stuart Skelton on Wagner's Wesendonck Lieder

Stuart Skelton © Guðmundur Ingólfsson
Stuart Skelton explores Wagner's shattering song cycle and draws the parallels with Tristan und Isolde.

Pourquoi voir son premier Ring à Budapest

Une histoire passionnante tissée musicalement par un compositeur hors pair, l'expression lyrique la plus accomplie de l'esthétique du grand romantisme, et un opéra qui paraît court au bout de cinq heures.

Singing the unhinged: Stuart Skelton

As Otello, ENO, 2014 © Francis Loney
Stuart Skelton doesn't think he's an actor – but he does push audiences to the limit of their emotional pain threshold. Ahead of singing Otello in Bergen, Skelton tells us how and why.