Illuminating Brandenburgs from the OAE

Por Pamela Nash, 13 mayo 2017

Descargando, espere, por favor...

Ver la programación

Crítica hecha desde The Bridgewater Hall, Mánchester el 11 mayo 2017

Bach, Concierto de Brandeburgo núm 1 en fa mayor, BWV1046

Bach, Concierto de Brandeburgo núm. 3 en sol mayor, BWV1048

Bach, Concierto de Brandeburgo núm. 5 en re mayor, BWV1050

Bach, Concierto de Brandeburgo núm. 4 en sol mayor, BWV1049

Bach, Concierto de Brandeburgo núm. 6 en si bemol mayor, BWV1051

Bach, Concierto de Brandeburgo núm. 2 en fa mayor, BWV1047

Orchestra of the Age of Enlightenment

Lisa Beznosiuk, Flauta

Roger Montgomery, Trompa

Katharina Spreckelsen, Oboe

David Blackadder, Trompeta

Steven Devine, Clave

Una gran sinfonía para un gran final

David Santana Cañas, 30th May

Elgar, Strauss y el Sibelius más épico son el repertorio elegido por Ibermúsica para cerrar su Serie Barbieri de la mano de Thierry Fischer.

****1

Immersive OAE submerged at Southbank’s Multitudes festival

Mark Valencia, 22nd April

The road to immersion is paved with modish deflections as the Orchestra of the Age of Enlightenment performs 20th-century English string music.

**111

Mixed Mozart from the Orchestra of the Age of Enlightenment

Dominic Lowe, 26th February

A Mozart's of symphonies – his last – under conductor Robin Ticciati is capped with a fine Jupiter, but is let down by the performances of its two predecessors.

***11

Haydn pur: Sir András Schiff mit dem OAE in Dortmund

Jens Klier, 19th November

Die Melange aus bestimmter Lässigkeit und zwinkernder Süffisanz ließ bei neuerlichem Haydn dieser geistreichen Londoner Künstlergemeinschaft wieder kaum redensartliches Auge trocken.

****1

John Butt and the OAE celebrate Handel's Solomon

Roy Westbrook, 12th October

The Queen of Sheba is clearly in a hurry in this account of Handel's oratorio at the Queen Elizabeth Hall.

*****

Enescu Festival immersion: Bach on the street, Klimt in the forest

Peter Quantrill, 11th September

At the George Enescu International Festival, a pair of new shows crossing genres and reinventing the classics, with mostly enlightening results.

****1

Más críticas...

Pamela Nash

Pamela Nash, a Harkness Fellow, studied the piano and harpsichord in London, Paris and the USA and holds a Master of Music degree from the University of Michigan. She has curated several contemporary harpsichord music events, and was the director of the British Harpsichord Society's International Composition Competition in 2014. Pamela has contributed articles and reviews for Harpsichord and Fortepiano, Contemporary Music Review and Sounding Board and was the producer for the recently-released recording of contemporary works for harpsichord, "Shadow Journey", on the Prima Facie label.

Illuminating Brandenburgs from the Orchestra of the Age of Enlightenment at The Bridgewater Hall