Vanessa at Glyndebourne: repression in a cold climate

Por David Karlin, 06 agosto 2018

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“one cannot help but be entranced by Barber’s vocal writing”

Crítica hecha desde Glyndebourne Opera House, Glyndebourne el 5 agosto 2018

Barber, Vanessa

Glyndebourne Festival Opera

Jakub Hrůša, Dirección

Keith Warner, Dirección de escena

Ashley Martin-Davis, Diseño de escena, Diseño de vestuario

Emma Bell, Vanessa

Virginie Verrez, Erika

Rosalind Plowright, The Old Baroness

Edgaras Montvidas, Anatol

Donnie Ray Albert, The Old Doctor

The Glyndebourne Chorus

London Philharmonic Orchestra

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Dominic Lowe, 23rd May

Mariame Clément’s production of Rossini's meta comedy is tightly revived with some excellent singing. Come for the writing tips, stay for the cured meats.

****1

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David Karlin, 21st May

Ted Huffman brings some interesting ideas to his first Glyndebourne production. Excellent singing is let down by indifferent physical acting.

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Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

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Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

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Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

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David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.

Barber's Vanessa at Glyndebourne: repression in a cold climate