Vanessa at Glyndebourne: repression in a cold climate

Par David Karlin, 06 août 2018

Chargement en cours, veuillez patienter...

Voir le listing complet

“one cannot help but be entranced by Barber’s vocal writing”

Critique faite à Glyndebourne Opera House, Glyndebourne, le 5 août 2018

Barber, Vanessa

Glyndebourne Festival Opera

Jakub Hrůša, Direction

Keith Warner, Mise en scène

Ashley Martin-Davis, Décors, Costumes

Emma Bell, Vanessa

Virginie Verrez, Erika

Rosalind Plowright, The Old Baroness

Edgaras Montvidas, Anatol

Donnie Ray Albert, The Old Doctor

The Glyndebourne Chorus

London Philharmonic Orchestra

Glyndebourne revives Michieletto’s Kátya Kabanová

Mark Valencia, 3rd August

Damiano Michieletto’s production of Janáček’s opera breaks a key tenet of high-concept opera: where it should reveal, it obfuscates.

***11

All the world’s a jest: Falstaff returns to Glyndebourne

Mark Pullinger, 23rd July

Richard Jones' 2009 production returns to Glyndebourne after a long absence, but the 1940s comedy scrubs up fresh.

***11

A strong new Figaro opens at Glyndebourne

Dominic Lowe, 29th June

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

****1

Glyndebourne's Saul still packs a punch 10 years on

Nick Boston, 8th June

Returning from the original run, Christopher Purves and Iestyn Davies were joined by a strong cast and chorus for a revival of Barrie Kosky's striking production.

*****

Unhurried suspense in a very English Parsifal

Peter Quantrill, 17th May

Compelling singers carry the day in the Glyndebourne Festival Opera's first staging of Wagner’s swansong.

****1

Glyndebourne’s season opens with Rossini’s Barber of Seville

David Karlin, 16th May

Annabel Arden’s production provides joyous comedy, with vocal and orchestral performances of the very finest.

*****

Plus de critiques...

David Karlin

David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.

Barber's Vanessa at Glyndebourne: repression in a cold climate