Deutsche Oper Berlin's Nabucco stirs the spirits and awakens the mind

Por Christie Franke, 10 septiembre 2013

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Crítica hecha desde Deutsche Oper, Berlín el 8 septiembre 2013

Verdi, Nabucco

Deutsche Oper Berlin

Andrea Battistoni, Dirección

Keith Warner, Dirección de escena

Tilo Steffens, Diseño de escena

Anna Smirnova, Abigaille

Jana Kurucová, Fenena

Yosep Kang, Ismaele

Johan Reuter, Nabucco

Vitalij Kowaljow, Zaccaria

Triunfal regreso de El milagro de Heliane a la Deutsche Oper

Pablo Sánchez Quinteiro, 8th March

La ópera de Korngold se abre camino en los escenarios tras un largo e injusto olvido con un elegante montaje de Christof Loy y una modélica dirección musical de Marc Albrecht.

*****

L’italiana in Algeri in the wrestling ring at Deutsche Oper Berlin

Zenaida des Aubris, 8th March

A classic opera buffa gets an update by Rolando Villazón to a produce a staging that celebrates the timeless vitality of Rossini’s comic imagination.

****1

Between ecstasy and abyss: Korngold’s Violanta at the Deutsche Oper

Zenaida des Aubris, 25th January

David Hermann directs a new production of Korngold’s teenage opera, conducted by Sir Donald Runnicles, at the Deutsche Oper Berlin.

****1

Giordano's Fedora at the Deutsche Oper Berlin

Elena Luporini, 27th November

A new production of Fedora at the Deutsche Oper Berlin warms up the cold German winter, featuring strong lead performances by Vida Miknevičiūtė and Jonathan Tetelman.

***11

Thalheimer’s directs a static new Berlin Tristan und Isolde

Zenaida des Aubris, 1st November

At the start of his farewell to Deutsche Oper Berlin, Sir Donald Runnicles shines with his orchestra, supplying the passion and tension withheld in Michael Thalheimer’s production.

****1

Wildes Wimmelbuch: Weills Mahagonny an der Deutschen Oper Berlin

Svenja Koch, 22nd July

Echt brechtig: Zum Ereignis wird es für all jene, die das Erlebnis vor den Hörgenuss stellen.

****1

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Christie Franke

Christie Franke is a Berlin-based writer and opera lover. Her blog, Tiny Doom’s Opernpalais, chronicles her adventures as an opera-lover and writer, serving as discussion ground for character profiles, operatic plot holes, and the magic of music in everyday life.