LA Philharmonic in works by Adams, Benzecry and Berlioz

Por Alan Yu, 03 octubre 2011

Descargando, espere, por favor...

Ver la programación

Crítica hecha desde Walt Disney Concert Hall, Los Angeles el 30 septiembre 2011

Adams, Tromba lontana

Benzecry, Rituales Amerindios

Berlioz, Symphonie fantastique, op. 14

Los Angeles Philharmonic

Gustavo Dudamel, Dirección

Las manos y los oídos de Beethoven: Dudamel dirige Fidelio en el Liceu

Maria Sánchez, 26th May

Conocimiento y sensibilidad en la propuesta liderada por Dudamel, posibilitando una interpretación para oyentes y sordos con la participación del Coro de Manos Blancas y la Deaf West Theatre.

****1

It’s a hero’s life for Gustavo Dudamel at Disney Hall

Néstor Castiglione, 29th May

Dudamel closes in on the end of his Disney Hall tenure in heroic style with Richard Strauss’ tone poem, Ein Heldenleben.

****1

Dudamel’s LA Phil Walküre proves worth the wait

Matthew Richard Martinez, 21st May

An enveloping performance of Die Walküre spans three consecutive evenings, featuring world class singing in Frank Gehry’s stunning space.

****1

LA Phil celebrates the California spirit with Andrés Orozco-Estrada

Cameron Kelsall, 3rd May

The program features Maria Dueñas in Korngold's Violin Concerto and a moving tribute to LA native Michael Tilson Thomas

****1

A cerebral bacchanalia: Young's bold, brainy Messiaen at Disney Hall

Néstor Castiglione, 10th April

Simone Young's take on Messiaen's Turangalîla with the Los Angeles Philharmonic proves a night to remember.

*****

Dudamel and Catalan choirs dazzle in Beethoven’s Missa solemnis

Néstor Castiglione, 20th February

In Los Angeles, Gustavo Dudamel conducts Beethoven's Missa solemnis for the first time... and it proves worth the wait.

*****

Más críticas...

Alan Yu

The first concert Alan attended was Mahler’s Das Lied von der Erde. For 7 years he presented classical music programmes for Radio Television Hong Kong, partly to pay his way through university. He attends concerts whenever he can and believes there is no substitute for the thrill of live performances. He writes here.