Sensitive artistry from Gerald Finley

Por Dominic Lowe, 12 diciembre 2016

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“a singer at the peak of vocal fitness”

Crítica hecha desde Barbican Hall, Londres el 10 diciembre 2016

Beethoven, Adelaide, Op.46

Beethoven, In questa tomba oscura, WoO 133

Beethoven, La partenza, WoO 124

Beethoven, Der Kuss, Op.128

Liszt, 3 Sonetti del Petrarca, S 158

Respighi, Four Scottish Folksongs

Ravel, Chants populaires

Shostakovich, Six Romances on Verses by English Poets for bass and piano, Op.62

Tosti, Selected Songs

Sir Antonio Pappano, Piano

Gerald Finley, Barítono

María Dueñas brilla en la Sinfonía española de Lalo en Zaragoza

David Santana Cañas, 14th November

María Dueñas y la Chamber Orchestra of Europe encandilan al público de Zaragoza con la gracia y la sensualidad de la Sinfonía española de Édouard Lalo.

****1

Sobrecogedora Alice Sara Ott con la LSO en el Auditorio Nacional

Jorge Baeza Stanicic, 25th October

En la segunda velada en Madrid, la LSO estrenó una brillante obra de Kendall y contó con la presencia incontestable de Alice Sara Ott.

****1

La London Symphony Orchestra en Ibermúsica: altas expectativas

David Santana Cañas, 24th October

La London Symphony Orchestra abre la temporada 23/24 de Ibermúsica con Sir Antonio Pappano y Patricia Kopatchinskaja.

**111

Antonio Pappano y la atracción de lo imperfecto

David Santana Cañas, 13th November

Antonio Pappano y la Orchestra dell’Accademia Nazionale di Santa Cecilia muestran al público de Madrid la belleza de lo inconcluso.

****1

Siegfried at the RBO: Kosky and Pappano surprise and delight

David Karlin, 17th March

A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.

*****

Rare Vaughan Williams from Pappano and the LSO

Chris Garlick, 7th December

Tchaikovsky and Vaughan Williams make rare bedfellows, but Pappano's grip on these disparate scores impresses, with the London Symphony Chorus and Orchestra on wondrous form.

****1

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

Sensitive artistry from Gerald Finley in recital with Antonio Pappano at the Barbican