François Girard's new Fliegende Holländer disappoints at The Met

Por Ako Imamura, 03 marzo 2020

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“Anja Kampe... was a vocally exciting and dramatically sympathetic Senta”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 2 marzo 2020

Wagner, Der fliegende Holländer (El holandés errante)

Metropolitan Opera

Valery Gergiev, Dirección

François Girard, Dirección de escena

John Macfarlane, Diseño de escena

Moritz Junge, Diseño de vestuario

Evgeny Nikitin, Dutchman

Anja Kampe, Senta

Franz-Josef Selig, Daland

Sergei Skorokhodov, Erik

Mihoko Fujimura, Mary

David Portillo, The Steersman

Peter Flaherty, Projection Designer

Carolyn Choa, Coreografía

David Finn, Diseño de iluminación

The Metropolitan Opera Chorus

The Metropolitan Opera Orchestra

De la oscuridad a la luz y regreso

Ako Imamura, 29th January

El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.

****1

Asmik Grigorian strengthens the Met’s revival of Eugene Onegin

Susan Stempleski, 20th April

The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.

****1

Innocence: Saariaho’s final opera receives New York premiere

Kurt Gottschalk, 6th April

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

Susan Stempleski, 31st December

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

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Ako Imamura

Atsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to ﬁnance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.

Stunning visuals, but François Girard's new Fliegende Holländer disappoints at The Met