François Girard's new Fliegende Holländer disappoints at The Met

Par Ako Imamura, 03 mars 2020

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“Anja Kampe... was a vocally exciting and dramatically sympathetic Senta”

Critique faite à Lincoln Center: Metropolitan Opera House, New York, le 2 mars 2020

Wagner, Le Vaisseau fantôme (Der fliegende Holländer)

Metropolitan Opera

Valery Gergiev, Direction

François Girard, Mise en scène

John Macfarlane, Décors

Moritz Junge, Costumes

Evgeny Nikitin, Le Hollandais

Anja Kampe, Senta

Franz-Josef Selig, Daland

Sergei Skorokhodov, Erik

Mihoko Fujimura, Mary

David Portillo, Le Timonier

Peter Flaherty, Projection Designer

Carolyn Choa, Chorégraphie

David Finn, Lumières

The Metropolitan Opera Chorus

The Metropolitan Opera Orchestra

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Ako Imamura

Atsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to ﬁnance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.

Stunning visuals, but François Girard's new Fliegende Holländer disappoints at The Met