Tomasi's restored Trumpet Concerto headlines Indianapolis program

Por Phillip Nones, 18 marzo 2023

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“Hardenberger played the sometimes-tricky solo passages with complete authority”

Crítica hecha desde Hilbert Circle Theatre, Indianapolis el 17 marzo 2023

El programa incluirá:

Brahms, Obertura trágica, Op.81

Tomasi, Trumpet Concerto

Schmitt, La Tragédie de Salomé

Stravinsky, El pájaro de fuego: suite (1947 version)

Håkan Hardenberger, Trompeta

Indianapolis Symphony Orchestra

Fabien Gabel, Dirección

Indianapolis Symphony opens season with lyrical Brahms

Sam Jacobson, 15th October

With conductor Peter Oundijan, the Indianapolis Symphony showcases two principals in Brahms’ Double Concerto, the program rounded out with Pictures at an Exhibition.

***11

Yuja Wang llena el Palau de la Música con la Mahler Chamber Orchestra

Maria Sánchez, 14th January

La pianista de fama internacional representó la conjugación de estilo único, sensibilidad y un dominio absoluto de dinámicas, en un repertorio muestra de versatilidad y control.

*****

Beethoven y Chausson con la OSG y Fabien Gabel

Pablo Sánchez Quinteiro, 26th January

La Sinfónica de Galicia, Lozakovich y Chausson ofrecieron un irregular concierto con un Beethoven desconectado y un Chausson ya más vivo y equilibrado.

***11

Brillante Fabien Gabel en un voluptuoso programa francés

Pablo Sánchez Quinteiro, 21st January

El trompetista Håkan Hardenberger interpretó el concierto de Tomasi bajo la dirección de Fabien Gabel.

****1

Emmanuel Pahud au centre d'un programme composite à Radio France

Jean-Pierre Rousseau, 4th December

Artiste en résidence cette saison à Radio France, le flûtiste proposait la création mondiale d'une partition (décevante) de Samy Moussa, avec l'Orchestre National de France qui avait fort à faire dans le reste du programme.

***11

Contrasting moods from the CBSO and Fabien Gabel

Simon Cummings, 25th September

The CBSO’s matinee, conducted by Fabien Gabel, juxtaposes cheerful Mozart and an unpredictable new concerto from Mark Simpson with a polarised account of Shostakovich’s Ninth Symphony.

*****

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Phillip Nones

Phillip Nones studied piano from age six, also playing percussion in educational and civic groups before moving to a rural area of the USA in 1990, where performance opportunities were few. Recently he has started performing again, participating in “side-by-side” orchestra performances and playing percussion in the World Doctors' Orchestra. His personal collection of music includes over 5,000 classical albums in all formats (CDs, LPs, 78s), plus downloads. In his professional life, he heads up a marketing communications firm in the state of Maryland. He blogs about the French composer Florent Schmitt here.

Tomasi's restored Trumpet Concerto headlines Gabel's Indianapolis Symphony program