Polished Glass: a return to form with the Eleventh Symphony

Por Pamela Nash, 30 septiembre 2017

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“Petrenko... coaxing just the right off-beat tonal stress from the immaculately polished RLPO strings”

Crítica hecha desde Philharmonic Hall, Liverpool el 28 septiembre 2017

Dvořák, Suite in A major for orchestra "American", Op.98b

Glass, Symphony no. 11

Scriabin, Sinfonía núm. 2 en do menor, Op.29

Royal Liverpool Philharmonic Orchestra

Vasily Petrenko, Dirección

Frank Dupree’s Liverpool debut has the audience crying out for more

Glyn Mon Hughes, 14th May

Frank Dupree’s debut with the RLPO celebrates the 250th anniversary of the USA, with Liverpool audiences treated to sumptuous Copland and barn-storming performances of Gershwin and Duke Ellington.

*****

Era-defining string sound in the Liverpool Phil’s Mahler 9

Rohan Shotton, 10th May

Domingo Hindoyan nears his five-year anniversary at the RLPO with Mahler's Ninth Symphony.

****1

Dazzling Prokofiev from Alim Beisembayev and the RLPO

Peter Connors, 26th April

In an all-Russian programme in Liverpool, Alim Beisembayev gives a breathtaking performance of Prokofiev's fiendishly difficult Second Piano Concerto.

****1

Dependable Mozart and Mendelssohn from the RLPO

Glyn Mon Hughes, 16th April

Aurel Dawidziuk and the Royal Liverpool Philharmonic Orchestra explore darkness and light, although the drama does not always bringing the audience to the edge of its collective seat.

***11

Paul Lewis balances delicacy with power in understated RLPO Beethoven

Glyn Mon Hughes, 12th March

Understatement is key in Paul Lewis' interpretation of Beethoven's Third Piano Concerto with the Royal Liverpool Philharmonic under Adam Hickox.

***11

Domingo Hindoyan's warm Bruckner 6 beguiles Liverpool

Peter Connors, 5th February

Schubert and Saint-Saëns provide an elegant first half before a change of tone and pace with Bruckner's Sixth Symphony.

****1

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Pamela Nash

Pamela Nash, a Harkness Fellow, studied the piano and harpsichord in London, Paris and the USA and holds a Master of Music degree from the University of Michigan. She has curated several contemporary harpsichord music events, and was the director of the British Harpsichord Society's International Composition Competition in 2014. Pamela has contributed articles and reviews for Harpsichord and Fortepiano, Contemporary Music Review and Sounding Board and was the producer for the recently-released recording of contemporary works for harpsichord, "Shadow Journey", on the Prima Facie label.

Polished Glass: a return to form with the Eleventh Symphony in UK première