Inspiration from fairyland and fairy tales for Kerem Hasan and the RPO

Por Alexander Hall, 05 mayo 2022

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“Hasan never fell into the trap of pulling out all the stops repeatedly”

Crítica hecha desde Cadogan Hall, Londres el 4 mayo 2022

Weber, Oberon: Overture

Beethoven, Concierto para piano núm. 4 en sol mayor, Op.58

Rimsky-Korsakov, Scheherazade, Op.35

Kerem Hasan, Dirección

Fumiya Koido, Piano

Royal Philharmonic Orchestra

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Segundo encuentro con la Royal Philharmonic en Madrid

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Stylish Beethoven from Benjamin Grosvenor and dramatic Ustvolskaya from Yuriy Yurchuk, but Petrenko and the RPO’s blistering Shostakovich steals the show.

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The Royal Philharmonic Orchestra’s BBC Proms matinee proves an ideal opportunity to demonstrate their strengths in a programme of Respighi, Milhaud and Vaughan Williams.

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Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.