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Keri-Lynn Wilson leads an irrepressible, snide, Lady Macbeth at the Met

Lady Macbeth of Mtsensk
© Evan Zimmerman | Met Opera
John Relyea (Boris Ismailov) and Svetlana Sozdateleva (Katerina)
© Evan Zimmerman | Met Opera
Brandon Jovanovich (Sergei), Nikolai Schukoff (Zinovy) and Svetlana Sozdateleva (Katerina)
© Evan Zimmerman | Met Opera
Alexey Shishlyaev (Police Sergeant) and chorus
© Evan Zimmerman | Met Opera
Alexander Tsymbalyuk (Old Convict) and Svetlana Sozdateleva (Katerina Ismailova)
© Evan Zimmerman | Met Opera
Lady Macbeth of Mtsensk
© Evan Zimmerman | Met Opera
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“Vick’s direction makes merry voyeurs of us all. Can music itself be gaudy, vulgar, sexy? You bet.”
Critique faite à Lincoln Center: Metropolitan Opera House, New York, le 29 septembre 2022
Chostakovitch, Lady Macbeth of the Mtsensk District
Metropolitan Opera
Keri-Lynn Wilson, Direction
Graham Vick, Mise en scène
Paul Brown, Décors, Costumes
Nick Chelton, Lumières
The Metropolitan Opera Orchestra
The Metropolitan Opera Chorus
Svetlana Sozdateleva, Katerina Lvovna Izmailova
Brandon Jovanovich, Sergey
John Relyea, Boris Timofeyevich Izmailov
Nikolai Schukoff, Zinoviy Borisovich Izmailov
Maria Barakova, Sonyetka
Alexander Tsymbalyuk, Old Convict
Felicia Moore, Aksinya
Alexey Shishlyaev, Police inspector
Goran Jurić, Priest
Ron Howell, Chorégraphie
Asmik Grigorian strengthens the Met’s revival of Eugene Onegin
****1
Innocence: Saariaho’s final opera receives New York premiere
*****
Tristan und Isolde at the Met: staging gets in the way of the music
***11
Ailyn Pérez is the perfect Butterfly in the Met’s revival
*****
Vocal thrills in Met’s traditional staging of Bellini’s I puritani
*****
Porgy and Bess returns stronger than ever at the Met
*****
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