Batiashvili, Mäkelä and the Oslo Philharmonic in Hamburg

Lisa Batiashvili, Klaus Mäkelä and the Oslo Philharmonic

Lisa Batiashvili and the Oslo Philharmonic

Por Mengguang Huang, 19 enero 2026

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“shaping Sibelius through patient immersion in a dense sonic ecosystem”

Crítica hecha desde Elbphilharmonie: Grand Hall, Hamburg el 18 enero 2026

Chaikovskiï, Concierto para violín en re mayor, Op.35

Sibelius, Lemminkäinen Suite (Four legends) for orchestra, Op.22

Lisa Batiashvili, Violín

Oslo Philharmonic

Klaus Mäkelä, Dirección

Noche hipnótica con Trpčeski y Petrenko

Tatiana Aráez, 31st January

La Orquesta Filarmónica de Oslo, con el laureado Vasily Petrenko a la batuta, en Madrid, un concierto remarcable en el que el solista, Simon Trpčeski, demostró una técnica y claridad pianística abrumadora.

****1

Virtuosity and volume: Oslo Phil plays Tchaikovsky and Shostakovich

Chanda VanderHart, 22nd January

Batiashvili’s account of the Tchaikovsky concerto confirms why she remains one of the most compelling violinists of her generation.

***11

Coup double dans Chostakovitch pour Mäkelä et l'Orchestre d'Oslo

Jean-Pierre Rousseau, 20th January

Le chef finlandais et l'orchestre norvégien ont donné une interprétation admirable – mais presque trop belle – des Sixième et Huitième Symphonies de Chostakovitch.

****1

A high Klaus operation: Mäkelä and the Oslo Philharmonic

David Karlin, 23rd October

In their home concert hall under their Chief Conductor, the Oslo Philharmonic produce a high quality performance of Tchaikovsky's Fourth Symphony.

****1

Das Sichtbare und das Unsichtbare: Oslo Philharmonic und Klaus Mäkelä

Svenja Koch, 1st September

Triumph ohne Triumphalismus: Schostakowitschs Symphonie Nr. 5 begeistert das Publikum beim Musikfest Berlin.

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Klaus Mäkelä voit double dans Brahms avec l'Orchestre d'Oslo

Jean-Pierre Rousseau, 4th June

Le directeur musical de la phalange norvégienne ajoute à la baguette sa casquette de violoncelliste dans le Double Concerto de Brahms avec Daniel Lozakovich, avant une Première Symphonie remarquable.

****1

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Mengguang Huang

Mengguang Huang is a Hamburg-based project manager in the construction industry. With a strong passion for classical music, he was introduced to the world of early music during his time in the UK, where he developed a particular fondness for renaissance and Baroque vocal music. Driven by his love for this genre, he now makes it a priority to attend major Baroque opera productions and concerts across Western Europe whenever possible, continuing to deepen his appreciation for this rich musical tradition.

High granularity, slow cooking: Batiashvili, Mäkelä and the Oslo Philharmonic in Hamburg