Refreshing perspectives from National Dance Company of Wales

Por Philippa Newis, 10 marzo 2019

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Crítica hecha desde Royal Opera House: Linbury Theatre, Londres el 8 marzo 2019

Afterimage (Fernando Melo)

Revellers' Mass (Caroline Finn)

Tundra (Marcos Morau)

National Dance Company of Wales

Fascinante Afanador por el BNE: una brillante y surrealista visión de Andalucía

Cristina de Lucas, 9th February

El Ballet Nacional de España estrena en el Teatro Real Afanador, de Marcos Morau, obra inspirada en la serie de fotografías de bailaores flamencos de Ruvén Afanador.

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Sonoma, el poder galvanizador de lo femenino

Laurine Mortha, 20th January

Una coreografía estimulante, una música galvanizadora y una escenografía onírica: Marcos Morau vuelve con Sonoma, una obra genial que marida el hiperpoder femenino con la tradición religiosa.

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Marcos Morau en majesté dans Afanador au Châtelet

Iris Régnier, 27th March

Inspiré des photographies de Ruven Afanador, Marcos Morau mêle ici la mode, l'image et le flamenco dans un spectacle flamboyant interprété par un Ballet Nacional de España au sommet de son art.

*****

Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success

Vikki Jane Vile, 22nd February

All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography.

***11

NDT 1’s Wildsong: innovative dance set to cinematic scores

Mark Vicente, 20th February

Wildsong presents a refreshing take on contemporary movement rooted in classical technique while revisiting a recent conceptual work of much acclaim, both performed by artists at the peak of their physical prowess.

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Marcos Morau’s Romeo + Juliet: lessons in volatility

Deborah Weiss, 3rd April

An unconventional dance take on Prokofiev's ubiquitous ballet for Opera Ballet Vlaanderen in Antwerp is not for the faint-hearted.

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Philippa Newis

Philippa Newis has a Masters degree in Dance. She works as a conciliator specialising in industrial relations. She is passionate about increasing participation in dance and has a strong interest in writing about emerging dance artists and choreographers.