National Symphony Orchestra explores Mitteleuropa

Por Hilary Stroh, 04 mayo 2015

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“Eschenbach’s geometric style of conducting is suited to the unrelenting massiveness of the work”

Crítica hecha desde Kennedy Center: Concert Hall, Washington el 2 mayo 2015

Strauss II, Die Fledermaus, Op.56: Overture

Penderecki, Concerto Grosso for three cellos

Beethoven, Sinfonía núm. 5 en do menor, Op.67

National Symphony Orchestra

Christoph Eschenbach, Dirección

Steven Honigberg, Violonchelo

James. Lee, Violonchelo

David Teie, Violonchelo

Hilary Hahn y la NSO interpretan un concierto de película

Jorge Baeza Stanicic, 18th February

La cita en Madrid de la National Symphony Orchestra y Gianandera Noseda trajo ciertos tintes cinematográficos con la obra Carlos Simon y el concierto de Korngold, tras lo cual aún desbordaron energía en la Quinta sinfonía de Shostakovich.

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Lush strings, bright Beethoven: NSO and Noseda at Carnegie Hall

Susan Stempleski, 12th February

Gianandrea Noseda leads glowing performances of Berg and Beethoven, while James Ehnes shines in Korngold's Violin Concerto .

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Young and Lamsma bring levity to National Symphony Orchestra

Sydney Boyd, 20th November

A dark trio of works focused around Benjamin Britten's Violin Concerto made for a compelling concert in Washington DC.

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NSO triumphs with Boyer and Lang Lang

Sydney Boyd, 18th September

With a world premiere by Peter Boyer and a stunning Beethoven piano concerto deftly played by Lang Lang, the evening didn’t fail to strike a poignantly significant chord.

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National Symphony makes a fine-sounding digital return to the stage

David Rohde, 19th March

Vibrant Mozart G minor symphony anchors the National Symphony’s digital return to the stage as distancing, sound engineering requirements generally score well

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Rollicking Mahler Fifth may have just put NSO on the global map

David Rohde, 20th February

Clarion details from start to finish result in a spectacular Mahler Fifth from Noseda and the National Symphony Orchestra

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Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.

“The machinery of awe, fear and terror”: NSO explores Mitteleuropa