Bracing Prokofiev from Dutoit and the RPO

Por Mark Pullinger, 08 marzo 2017

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Crítica hecha desde Royal Festival Hall, Londres el 7 marzo 2017

Berlioz, Benvenuto Cellini: Overture

Grieg, Concierto para piano en la menor, Op.16

Prokofiev, Sinfonía núm. 5 en si bemol mayor, Op.100

Royal Philharmonic Orchestra

Charles Dutoit, Dirección

Elisabeth Leonskaja, Piano

Calurosa acogida para un cielo de invierno: Petrenko y la RPO

Jorge Baeza Stanicic, 29th October

Vasliy Petrenko condujo con magnífico pulso y un calibrado dinamismo un programa unido por la procedencia de los compositores.

****1

Segundo encuentro con la Royal Philharmonic en Madrid

Jorge Baeza Stanicic, 20th April

La Royal Philharmonic Orchestra, en su segunda velada en Madrid, y con Vasiliy Petrenko al frente, dio lo mejor de sí en la interpretación de la grandiosa Sinfonía Manfredo de Chaikovski.

***11

La Royal Philharmonic Orchestra con Petrenko y Yoo

Jorge Baeza Stanicic, 19th April

Vasily Petrenko dirige la RPO en un concierto que no salió de la corrección y en el que se contó con la violinista Esther Yoo.

***11

Turangalîla underwhelms at the Southbank’s Multitudes festival

Roy Westbrook, 23rd April

Serious music ill-matched by filmic limitations as the Royal Philharmonic Orchestra tackles Messiaen’s epic “symphony” as part of the Southbank’s cross-genre festival.

**111

Edusei’s Beethoven and Rangwanasha’s Strauss thrill at Cadogan Hall

Christopher Woodley, 26th February

Kevin John Edusei, Masabane Cecilia Rangwanasha and the Royal Philharmonic Orchestra celebrate the joys of a life well-lived – rounded off to the sounds of larks ascending.

****1

Petrenko’s searing Shostakovich overshadows Grosvenor’s Beethoven

Nick Boston, 3rd February

Stylish Beethoven from Benjamin Grosvenor and dramatic Ustvolskaya from Yuriy Yurchuk, but Petrenko and the RPO’s blistering Shostakovich steals the show.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

A hymn to a pure and noble spirit: bracing Prokofiev from Dutoit and the RPO