En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Philharmonia Orchestra

Un programa con Chaikovsky y Rachmaninov para resaltar las virtudes de la magnífica formación londinense Philharmonia Orchestra y de la pianista Yuja Wang con un resultado interesante aunque desigual.

El director finlandés Santtu-Matias Rouvali resolvió con excelencia un programa dedicado a Beethoven y Chaikovskiï.

El 36 Festival Internacional de Música de Canarias ha comenzado de manera brillante con un concierto protagonizado por la Philharmonia Orchestra bajo la dirección de Santtu-Matias Rouvali.

La segunda parte de la visita de Esa-Pekka Salonen con la Philharmonia Orchestra a Madrid nos deparó un programa que se abría en dos direcciones, futuro y pasado.

La Philarmonia y su director, Esa-Pekka Salonen, propusieron un Mahler que se mira a sí mismo a través de nosotros.

El octogenario Ashkenazy, a la batuta de la prestigiosa Philharmonia Orchestra, ofreció un concierto que irradió destellos de maestría y que contó con la presencia de la solista Elena Bashkirova.

La Philharmonia Orchestra, la violinista Esther Yoo y el aclamado director y pianista Vladimir Ashkenazy brindaron al público un programa conformado por dos grandes nombres del repertorio ruso: Tchaikovsky y Shostakovich.

Sobre el escenario del Auditorio se presentaron la muy fiable Philharmonia Orchestra con el talento musical Karl-Heinz Steffens, que ha pasado de los atriles al podio de los más prestigiosos conjuntos. El joven pianista Sergei Redkin completaba el alineamiento para una velada excelsa.

Pablo Heras-Casado se presentó en el Festival de Granada al frente de la Philharmonia Orchestra. A través de un sugerente programa de autores rusos y junto a la violinista Esther Yoo, director y orquesta ofrecieron una vibrante noche llena de virtuosismo, frescura y emoción.

Cuerda y metal se elevaron por encima del contrapunto reservado a maderas y entablaron una conversación in crescendo, generando también espacios para la fantasía -el engarce con Aimard siempre perfecto- y la tensión dramática.

La Philarmonia Orchestra con Ashkenazy al frente dedica el programa a la música de Sibelius.

Multi-sensory music? Scriabin's Prometheus, Poem of Fire tickles the senses in an ecstatic performance under Stanislav Kochanovsky. 

A first-rate performance of Carl Nielsen’s Fourth Symphony proves to be the musical highlight of this Philharmonia concert. 

Alexander Soddy steps in for an ailing Esa-Pekka Salonen to conduct the Philharmonia in Wagner and Bruckner. 

Weathered, Anna Clyne’s new clarinet concerto which showcases the remarkable skills of Swedish player Martin Fröst, receives its UK premiere.

Lyniv makes a splendid Philharmonia debut with music by fellow Ukrainian Boris Lyatoshynsky and is joined by Benjamin Grosvenor for Chopin.

This X-rated programme brought numerous children to the Royal Festival Hall... with plenty of orchestral thrills for them to enjoy.

Some thrilling moments in a memorable evening of Brahms and Weber, with the Philharmonia and Michael Collins on riveting form.  

Vibrant colours and assured technique bring out the virtuosity of the Philharmonia, if lacking in emotional substance.

In the existential angst stakes, Sibelius steals Mahler's thunder in an intense performance with the Philharmonia and Lahav Shani. 

Stepping in at short notice, Sousa led the Philharmonia in Brahms' Fourth Symphony, before which Steven Isserlis dazzled in a deeply enjoyable reading of Dvořák’s Cello Concerto.

A memorable evening of superb music-making at the Royal Festival Hall, illuminating two well-known Vaughan Williams scores and shining a light on a seldom performed rarity.

The Icelandic pianist plays an excellent John Adams concerto followed by an exceptional encore. The Philharmonia's Mahler 5 shows many fine qualities.

The main concert of their Edinburgh International Festival residency showed off conductor Santtu-Matias Rouvali's fluid style and soloist Seong-Jin Cho's masterful musicianship.

Elizabeth Watts gives an unforgettably powerful performance of Finzi’s Dies Natalis in an otherwise problematic concert, marred by Adrian Partington’s uncertain approach.

Rolf Martinsson opts for clichéd opulence in his song cycle Ich denke Dein…, while Emilia Hoving delivers a sublime, conflicted account of Mahler’s Fourth Symphony.

The Three Choirs Festival opens with a performance of Dvořák’s Requiem characterised by extremes of melancholy and hope.

Louisa Muller returns to revive her 2019 production, preserving the ambiguity – did the Governess see these things or imagine them? 

It's taken two years for Jack Furness' new production of Dvořák's greatest opera to reach the Garsington stage, but it is entirely worth the wait, with a breathtaking performance from Natalya Romaniw in the title role.

Sensitive, nuanced Bruckner from Blomstedt and a Mozartian treat from Maria João Pires.

The American conductor led strong, characterful performances of Britten and Shostakovich that prompted some misgivings by their execution but made a powerful impression overall.

Exhilarating performances from The Philharmonia in a trio of Russian composers brought to life by Alpesh Chauhan, with Jess Gillam as a distinguished soloist.   

Sounding under-rehearsed and unloved, these performances of two great works made for a frustrating evening that could have been so much more inspiring.   

A fresh look at Sibelius' Violin Concerto and a bracing trip to the countryside in Beethoven's Pastoral at the Royal Festival Hall.

Mahler's Song of the Earth fits the bill of the Philharmonia's “Human/Nature: Music for a Precious Planet” series, and Xian Zhang has no need to hold the orchestra back! 

Santtu-Mathias Rouvali steers the Philharmonia through Lorin Maazel's 70-minute version of Wagner's tetralogy, while Miah Persson is golden-toned in late Strauss. 

The Philharmonia shine in a well-crafted programme of French music with a feathery focus 

From an unknown Mexican piece to an all-new Bryce Dessner concerto to the familiar Rite of Spring, Rouvali and the Philharmonia blow the roof off the Royal Festival Hall.

On the strength of this stirring evening of Strauss, the 35-year-old Finn is set to become a welcome Southbank resident. 

The rising Icelandic piano star made his Proms debut alongside conductor Paavo Järvi and London's Philharmonia Orchestra, in a programme that seamlessly shifted between Classical, Baroque and Modern styles.

Cecil Armstrong Gibbs’ largely forgotten Symphony no. 2, "Odysseus" proves exhausting, while works by Ireland and Howells tap into rich veins of mythical wistfulness and excruciating pain.

Benjamin Britten’s 1948 cantata communicates with more invention and originality than recent works by Tabakova and Rutter.

The world premiere of Gabriel Jackson’s ambitious but inert The World Imagined and a complacent Enigma Variations are outclassed by Samuel Coleridge-Taylor’s gorgeous Solemn Prelude at Worcester Cathedral.

Garsington Opera's new production of Rossini's comic masterpiece is a bawdy hoot, but humour aside it features an ensemble who provide first-class bel canto singing.

A concert with a considerable sense of occasion, as the orchestra bids the Finn farewell from his Philharmonia post. 

Outstanding singing from a beautifully chosen cast led by Miah Persson and Hanna Hipp. 

The Philharmonia and Garsington Chorus deliver great performances, as do Natalia Tanasii and Fleur Barron as the two Larina sisters.

Martyn Brabbins and the Philharmonia contrast Richard Strauss' Viennese festivities with Britten's elegiac Death in Venice

Alice Coote is totally mesmerising in Britten's cantata Phaedra in a concert stream from London's Southbank.