Jamie Barton the star of the OAE's all-Brahms evening

Por Nick Boston, 02 septiembre 2015

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Crítica hecha desde Royal Albert Hall, Londres el 1 septiembre 2015

Brahms, Obertura para un festival académico, Op.80

Brahms, Alto Rhapsody for Alto, Male Chorus and Orchestra, Op.53

Brahms, Triumphlied (Song of Triumph) for Chorus and Orchestra (Organ ad libitum), Op.55

Brahms, Sinfonía núm. 1 en do menor, Op.68

Jamie Barton, Mezzosoprano

Benjamin Appl, Barítono

Choir of the Age of Enlightenment

Orchestra of the Age of Enlightenment

Marin Alsop, Dirección

Una gran sinfonía para un gran final

David Santana Cañas, 30th May

Elgar, Strauss y el Sibelius más épico son el repertorio elegido por Ibermúsica para cerrar su Serie Barbieri de la mano de Thierry Fischer.

****1

Immersive OAE submerged at Southbank’s Multitudes festival

Mark Valencia, 22nd April

The road to immersion is paved with modish deflections as the Orchestra of the Age of Enlightenment performs 20th-century English string music.

**111

Mixed Mozart from the Orchestra of the Age of Enlightenment

Dominic Lowe, 26th February

A Mozart's of symphonies – his last – under conductor Robin Ticciati is capped with a fine Jupiter, but is let down by the performances of its two predecessors.

***11

Haydn pur: Sir András Schiff mit dem OAE in Dortmund

Jens Klier, 19th November

Die Melange aus bestimmter Lässigkeit und zwinkernder Süffisanz ließ bei neuerlichem Haydn dieser geistreichen Londoner Künstlergemeinschaft wieder kaum redensartliches Auge trocken.

****1

John Butt and the OAE celebrate Handel's Solomon

Roy Westbrook, 12th October

The Queen of Sheba is clearly in a hurry in this account of Handel's oratorio at the Queen Elizabeth Hall.

*****

Enescu Festival immersion: Bach on the street, Klimt in the forest

Peter Quantrill, 11th September

At the George Enescu International Festival, a pair of new shows crossing genres and reinventing the classics, with mostly enlightening results.

****1

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Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.

Prom 62: Jamie Barton the star of the OAE's all-Brahms evening