En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Obertura para un festival académico, Op.80

La potente trasmisión técnica y vital de Braunstein, Ottensamer y la OEX surcan plenamente a Brahms, Dvořák y Kodály.

La Sinfónica Nacional nos ofreció un programa completamente dedicado a Brahms con una selección de obras sinfónicas y corales.

Con un concierto especial, fuera del programa de la temporada, la OFUNAM celebró su 80 aniversario y el 40 aniversario de la inauguración de su sede, la sala Nezahualcóyotl

The best moments come at either end of this underwhelming LA Phil concert.  

Dynamische Kontraste prägen den Eindruck einer Rarität von Brahms sowie Dvořáks „Neuer Welt”.

Herbert Blomstedt und das Gewandhausorchester Leipzig breiten Brahms eine Festwiese aus.

The Vienna Philharmonic played with their characteristic finesse, albeit at times sacrificing the larger arc of the music

Norwegian violinist Eldbjørg Hemsing unearths the subtleties and plaintive lyricism of Dvorak's violin concerto while Miguel Harth-Bedoya and the NSO deliver an exhilarating Eroica.

Conductor Tomáš Netopil combines the best of two worlds at the Dvořákʼs Prague festival.

William Bolcom's Concerto Grosso is flanked by two Austro-German masterpieces in an inspired "Three B's" program led by JoAnn Falletta.

Mercredi soir, nous fûmes cueillis par la Maestria d’un chef superlatif dont le talent à la baguette est éblouissant. Bravo Monsieur Petrenko !

Jamie Barton emerged as the star of the OAE/Marin Alsop's all-Brahms Prom, which included the first Proms performance of Brahms' Triumphlied.

Sir Mark Elder conducts the Hallé in a concert to celebrate the 500th anniversary of Manchester Grammar School, with Holst's Planets alongisde O'Regan's Celestial Map of the Sky.

Leopold Tobisch's future expectations have been raised to a dizzying high by Kristjan Järvi and the Baltic Sea Youth Philharmonic at the Theatre des Champs Elysées.

The BBC National Orchestra of Wales crossed the river to England to deliver an evening of the music of Brahms culminating in the giant Symphony no. 1 in C minor, Op. 68.

His recent bow out of the Vienna Staatsoper has been in the news, but last evening
Maestro Franz Welser-Möst was firmly in the saddle of the distinguished
Cleveland Orchestra as they performed in Amsterdam.

Franz Welser-Möst conducts the Cleveland Orchestra in brilliantly clear Brahms at the Royal Albert Hall. 

After Renée Fleming was forced to withdraw due to a family emergency, soprano Sylvia Schwartz stepped in to perform with the Oxford Philomusica on the way to the Vienna Staatsoper. At just two days’ notice, Korngold, Zandonai and Leoncavallo were traded for Puccini, Verdi and Lehár.

“Der Sir”, they used to call him. The death of Sir Colin Davis has been a strikingly international event, and New York has been no exception. Over at Lincoln Center, Alan Gilbert and the New York Philharmonic opened their latest subscription run with “Nimrod” from Elgar’s Enigma Variations, a joint tribute to the British conductor and the people of Boston (another of Sir Colin’s haunts).

Benedetti’s Beethoven was changed, at late notice, to Lomeiko’s Tchaikovsky. Sadly, the renowned violinist Nicola Benedetti was not able to make the performance, but her replacement was wonderful. Internationally established Russian violinist and professor at the Royal College of Music, Natalia Lomeiko stepped up to play the Tchaikovsky Violin Concerto in D major instead of Beethoven’s concerto.

Whatever our relationship with music we often have moments in our lives where the thing we’ve always loved feels like little more than a habit, or worse still a chore. You go to a concert and sit through it, and you know in your head that the orchestra played well and that the soloists were excellent, but your heart remains unmoved.

For a composer who embraces the “popular” in music, using the subtitle High Art for his trumpet concerto is clearly a provocative but bold statement. Australian composer Graham Koehne has quoted Noël Coward’s play Private Lives, commenting: “Extraordinary how potent cheap music is”.

The German Requiem is an unbudgeable fixture on the Viennese musical calendar, and yet selections from Brahms’ more obscure choral output are seldom programmed, with chorus directors typically citing the unfeasible ratio of rehearsal to running time for complicated works like Nänie (which is less than 15 minutes long).

To celebrate the 50th birthday of the City Hall Concert Hall on March 2nd, the Hong Kong Philharmonic Orchestra chose a programme of short but diverse works with undulating emotional appeal. Star soloist for the evening was cellist Yo-Yo Ma, returning three and a half decades after his debut here.Under the baton of Lan Shui, the evening began with Brahms’ Academic Festival Overture.

As you round the corner of Prince Consort Road, you raise your head to catch a glimpse of the tip of the Royal Albert Hall dome. But just as you do…SMACK! You’ve collided with a stranger’s back. Reorienting yourself you realise there’s a queue a mile long, winding down the steps outside the Royal Albert Hall and stretching all the way to bus stop down the road.

Widely acclaimed professional community orchestra New Philharmonic opened its 34th Season with an outstanding, family-friendly concert featuring both overture classics and everyone's favorite musical fairy tale, Prokofiev's "Peter and the Wolf.