En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Heimliche Aufforderung, Op.27 no.3

La magia envolvió un recital en el que Sondra Radvanovsky fusionó su monumental talento vocal con sus experiencias vitales en interpretaciones sinceramente profundas.

Diana Damrau, Jonas Kaufmann and Helmut Deutsch's European tour reaches Berlin with a heart-on-sleeve programme of Lieder by Strauss and Mahler. 

The Swedish mezzo accepts her award from the Birgit Nilsson foundation with an impressive prizewinner’s recital.

The two French singers convince in a programme including French late Romantics, Richard Strauss and a Verdi world premiere!

The Orchestra of the Age of Enlightenment resurrected with 1926 silent film of Strauss' Viennese comedy – with the lost ending pieced together – and gave a commendable performance of the reduced score.

After a shaky start with Metamorphosen, the Oslo Philharmonic embodies the evening's theme of transformation by ending on a stonker of a Petruskha, via the perenially fabulous Lise Davidsen.

We anticipated a Ukrainian barihunk singing Tchaikovsky, but ended up with an English rose singing Strauss.

For her London recital debut, Sondra Radvanovsky offered a varied programme of ranging from Bellini to Barber, showing off the technique with which she has dazzled American audiences.

Elina Garanča can always be counted on for a coolly polished performance. Her silvery mezzo is beautiful, even throughout her range, and impeccably on pitch. She is musically tasteful, and her sound has grown in recent years. But something often seems to be missing. While she’s too accomplished to call bland, her performances rarely show evidence of a beating heart.