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San Francisco Ballet ends the season with Balanchine and Robbins

Por Jaime Robles, 10 mayo 2014
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Crítica hecha desde War Memorial Opera House, San Francisco el 6 mayo 2014
Programa
Glass Pieces
Brahms- Schoenberg Quartet (George Balanchine)
Agon
Intérpretes
San Francisco Ballet
Más críticas de Danza
El ballet neoclásico viste de gala al Teatro Real:
Cintia Borges Carreras, 26th January

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

****1
Birmingham Royal Ballet: a sparkling and sobering close to the season
Vikki Jane Vile, 19th June
Birmingham Royal Ballet (BRB) close their 25/26 season with an ambitious triple bill running for just four performances on their home turf at the Birmingham Hippodrome.
****1
Royal Ballet School, School of American Ballet: the future is bright
Amanda Jennings, 18th June
An evening of outstanding dancing from the Royal Ballet School and the School of American Ballet. It was a case of spotting tomorrow’s stars in a beautifully balanced programme.
*****
At NYCB, Fairchild bids adieu in her final performances of Coppélia
Leigh Donlan, 22nd May
Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.
*****
Good vibrations: Robbins, Balanchine and Bach at New York City Ballet
Carla Escoda, 13th May
Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet. 
*****
Mira Nadon’s sparkling debut in Firebird with New York City Ballet
Ivy Lin, 25th April
A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.
*****
Más críticas...
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AgonBrahms- Schoenberg QuartetGeorge BalanchineGlass PiecesIgor StravinskyJohannes BrahmsPhilip GlassSan Francisco Ballet
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Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.