Musical riches at Deutsche Oper's Tristan und Isolde

Por Hugo Shirley, 25 septiembre 2018

Descargando, espere, por favor...

Ver la programación

“a richly wrought and highly persuasive traversal of the score”

Crítica hecha desde Deutsche Oper, Berlín el 23 septiembre 2018

Wagner, Tristan und Isolde

Deutsche Oper Berlin

Sir Donald Runnicles, Dirección

Graham Vick, Dirección de escena

Paul Brown, Diseño de escena, Diseño de vestuario

Ricarda Merbeth, Isolde

Peter Seiffert, Tristan

Christof Fischesser, King Marke

Samuel Youn, Kurwenal

Thomas Blondelle, Melot

Daniela Sindram, Brangäne

Peter Maus, Shepherd

Seth Carico, Helmsman

Matthew Newlin, Young seaman

Chor der Deutschen Oper Berlin

Orchester der Deutschen Oper Berlin

Triunfal regreso de El milagro de Heliane a la Deutsche Oper

Pablo Sánchez Quinteiro, 8th March

La ópera de Korngold se abre camino en los escenarios tras un largo e injusto olvido con un elegante montaje de Christof Loy y una modélica dirección musical de Marc Albrecht.

*****

L’italiana in Algeri in the wrestling ring at Deutsche Oper Berlin

Zenaida des Aubris, 8th March

A classic opera buffa gets an update by Rolando Villazón to a produce a staging that celebrates the timeless vitality of Rossini’s comic imagination.

****1

Between ecstasy and abyss: Korngold’s Violanta at the Deutsche Oper

Zenaida des Aubris, 25th January

David Hermann directs a new production of Korngold’s teenage opera, conducted by Sir Donald Runnicles, at the Deutsche Oper Berlin.

****1

Giordano's Fedora at the Deutsche Oper Berlin

Elena Luporini, 27th November

A new production of Fedora at the Deutsche Oper Berlin warms up the cold German winter, featuring strong lead performances by Vida Miknevičiūtė and Jonathan Tetelman.

***11

Thalheimer’s directs a static new Berlin Tristan und Isolde

Zenaida des Aubris, 1st November

At the start of his farewell to Deutsche Oper Berlin, Sir Donald Runnicles shines with his orchestra, supplying the passion and tension withheld in Michael Thalheimer’s production.

****1

Wildes Wimmelbuch: Weills Mahagonny an der Deutschen Oper Berlin

Svenja Koch, 22nd July

Echt brechtig: Zum Ereignis wird es für all jene, die das Erlebnis vor den Hörgenuss stellen.

****1

Más críticas...

Hugo Shirley

Hugo Shirley is a Berlin-based writer and musicologist. He has written widely as a critic in the UK, including for The Spectator, the Financial Times and Daily Telegraph, and has held editorial posts at both Opera and Gramophone. He was editor of 30-Second Opera (Ivy Press, 2015) and has a PhD in musicology from King's College London, where his thesis focused on Strauss and Hofmannsthal’s Die Frau ohne Schatten.