En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Christof Fischesser

Esta Capriccio es moderna porque se mantiene escrupulosamente fiel a los códigos de los salones intelectuales del siglo XVIII. Y también es realista porque detecta con irreverente precisión y astuta elegancia el interrogante filosófico que atraviesa el testamento operístico straussiano y la época en que se inscribe.

Arriesgada y deliciosa recreación humorística de la obra mozartiana en clave de cine mudo, lejos de cualquier simbología o pretensión de profundidad

In Peter Konwitschny Klassenzimmer-Inszenierung wir Nationalismus und Krieg der Spiegel vorgehalten.

The Bavarian State Opera avoids the routine in a powerfully cast revival of Richard Jones' building-site production of Lohengrin.

Das Bayerische Staatsorchester unter Kirill Petrenko bereitet mit Wagners Meistersingern einen musikalisch denkwürdigen Abend.

Peter Seiffert can still impress as Tristan, but Graham Vick's staging is uncertain and unconvincing. 

Unter Mitwirkung hervorragender Gesangssolisten bieten die Philharmonia Zürich und der Opernchor unter Fabio Luisi Mendelssohns Oratorium Elias auf sehr hohem Niveau.

Musically, a rewarding Forza, but Homoki's staging is best forgotten.

Claus Guth’s grandiose production of Parsifal made major headlines in Zurich in 2011. With its new cast of principals, this revival is no less a sensation.

Celebrating a courageous woman who is able to secure the release of her husband from prison, Beethoven’s sole opera Fidelio has music that is more compelling that its plot.

Barrie Kosky’s atypically conservative production of the Russian classic was marked by musical direction and vocal performances of the highest order.

Mit diesem Ring-Auftakter gelingt Janowski ein im Großen und Ganzen überzeugendes Plädoyer für Wagner konzertant.

Troisième production du Festival Mémoires proposé par l'Opéra de Lyon, Tristan und Isolde de Wagner vient conclure honorablement cette magnifique initiative lancée par l'institution lyrique lyonnaise. 

Dans le cadre de son Festival Mémoires, l’Opéra National de Lyon propose une recréation de la production d’Elektra que Ruth Berghaus avait présenté à Dresde en 1986. Un plongée vertigineuse dans le vide ! 

Setting the opera in the backyard of a suburban house feels refreshingly honest: the ridiculous and simplistic tale of the evil witch, the prince and the maiden is rightfully returned to the arena of children's games, and adults look on indulgently, with a wink.

Detlev Glanert's first religious composition, a staggering Requiem for solo voices, two choirs and orchestra, pits the demonic against the angelic, and is worthy of the genius it celebrates.

A feast for the eyes in Zurich, but is the visual stimulation in Herbert Fritsch's production of Der Freischütz just too much?

Die Münchner Opernfestspiele präsentierten eine Lohengrin-Produktion, die nur bedingt dem Festspielniveau entsprach. 

Die Bayerische Staatsoper hat Richard Wagners Die Meistersinger von Nürnberg unter großen Staraufgebot als Sängerfest inszeniert und auf eine ideenschwangere Inszenierung verzichtet

A disconcerting production of The Flying Dutchman where the staging misses the boat.

At the Bayerische Staatsoper, director Andreas Kriegenberg's concept for Siegfried works well, but the cast members aren't all up to the opera's challenges.

Kriegenburg's staging of Wagner's Ring cycle begins with a visually appealing but intellectually empty Rheingold.

Die Zauberflöte may well tell us something about the Human Condition, but its staging in Zurich serves more to distract from the music and the messages than it does to support them.

In a new production of Wagner's Lohengrin, conductor Simone Young and stage director Andreas Homoki, along with an extraordinary cast, engineered a superb performance.

German director Christof Loy’s second production for the Royal Swedish opera was of Wagner’s Parsifal. The cast is rather on the luxurious side as well, sporting three of the greatest Wagner singers working today – two of them Swedish, no less!Loy’s Parsifal is a distinctly human drama.

My last opera of the year was also my first Wagner: a new Covent Garden production of Tannhäuser, directed by Tim Albery and conducted by Semyon Bychkov.First things first: Bychkov was magnificent.