Joy at sunset: four evenings of the Battery Dance Festival

Por Carla Escoda, 25 agosto 2021

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“dancers made sweeping circles with their arms as if casting nets into the harbor”

Crítica hecha desde Robert F Wagner Jr Park, Nueva York el 25 agosto 2021

Maps (Ohiole Dibua)

Radio Days (Demi Remick)

Yemaya: Rebirthing to Existence (Beatrice Capote)

The Prayer of Daphnis (Christopher Williams)

Virtuoso/NYC (Charles Renato)

A Little Old, A Little New (Luke Hickey)

It Goes by Quick (Ana Maria Lucaciu)

Rondo (Jerome Robbins)

Od:yssey (Marc Brew)

Flower (Joshua Morales)

846 (Rite of Spring) (Jamal Jackson)

CHR Project

Ohiole Dibua, Bailarín

Demi Remick, Bailarín

Taylor Stanley, Bailarín

Battery Dance Company

Amanda Treiber, Bailarín

Giulia Faria, Bailarín

Dancing Wheels

STASIS

Jamal Jackson Dance Company

El ballet neoclásico viste de gala al Teatro Real:

Cintia Borges Carreras, 26th January

Un reducido número de integrantes del Ballet de l’Opéra National de Paris ha presentado en el Real un programa de obras cortas y han danzado más allá de la técnica, mostrando el cuerpo que siente el movimiento y baila.

****1

Anhelos, tormentos y divertimentos con la Compañía Nacional de Danza

Eduardo López-Collazo, 22nd July

La Compañía Nacional de Danza propuso un delicado programa que recorre los puntos fuertes de la agrupación en el Teatro Real, y donde la elección estrella fue In the nigth de Jerome Robbins.

***11

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

London City Ballet at the Linbury: joy and sorrow at its best

Deborah Weiss, 19th November

London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.

*****

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Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.