Dante's Hell: Voronia

Por Tatiana Rathelot, 22 octubre 2015

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“Each movement – whether dynamic or static – is filled with force and meaning”

Crítica hecha desde Sadler's Wells Theatre, Londres el 19 octubre 2015

Voronia (Marcos Morau)

La Veronal

Fascinante Afanador por el BNE: una brillante y surrealista visión de Andalucía

Cristina de Lucas, 9th February

El Ballet Nacional de España estrena en el Teatro Real Afanador, de Marcos Morau, obra inspirada en la serie de fotografías de bailaores flamencos de Ruvén Afanador.

****1

Sonoma, el poder galvanizador de lo femenino

Laurine Mortha, 20th January

Una coreografía estimulante, una música galvanizadora y una escenografía onírica: Marcos Morau vuelve con Sonoma, una obra genial que marida el hiperpoder femenino con la tradición religiosa.

*****

Marcos Morau en majesté dans Afanador au Châtelet

Iris Régnier, 27th March

Inspiré des photographies de Ruven Afanador, Marcos Morau mêle ici la mode, l'image et le flamenco dans un spectacle flamboyant interprété par un Ballet Nacional de España au sommet de son art.

*****

Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success

Vikki Jane Vile, 22nd February

All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography.

***11

NDT 1’s Wildsong: innovative dance set to cinematic scores

Mark Vicente, 20th February

Wildsong presents a refreshing take on contemporary movement rooted in classical technique while revisiting a recent conceptual work of much acclaim, both performed by artists at the peak of their physical prowess.

****1

Marcos Morau’s Romeo + Juliet: lessons in volatility

Deborah Weiss, 3rd April

An unconventional dance take on Prokofiev's ubiquitous ballet for Opera Ballet Vlaanderen in Antwerp is not for the faint-hearted.

***11

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Tatiana Rathelot

Tatiana studied ballet and modern dance in Rio de Janeiro, Brazil before moving to Italy to pursue graduate studies in Social and Political Sciences. She has trained and performed in several European countries and is currently based in London, where she reconciles academic work with freelance dance jobs

Speleological expedition into Dante’s hell: La Veronal's excellent Voronia