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Each of the three pieces by Andrew Norman, Stravinsky and Sibelius had an unlocking principle at its heart. Sakari Oramo, his soloist Vilde Frang and his BBC players proved powerful advocates.

On the orchestra's first US tour since Kirill Petrenko took over as Chief Conductor, their Carnegie Hall program includes a work by American composer Andrew Norman, an early Mozart concerto and Korngold’s sole symphony.

Andrew Norman's composition sustains interest alongside a powerful Bruckner 4 from Dudamel and the LA Philharmonic.

The expanded forces of the ACO take on two major nineteenth-century symphonic works by Dvorak and Brahms, prefaced by world and Australian premieres of pieces by Andrew Ford and Andrew Norman

The New World Symphony's Viola Visions kicked off Wednesday night with a concert of music that spanned three centuries and gave full voice to the splendor of the instrument

A disparate set of pieces are connected to an intriguing theme in mostly successful performances, including Shostakovich from cellist Alisa Weilerstein.

Fanfares and percussion: the NYOS play an all American programme of Gershwin, Copland and welcome back NYOS alumnus Colin Currie to play Andrew Norman’s Switch.

Under Sir Simon Rattle’s baton, Andrew Norman’s children’s opera struggles to find either terrene or otherworldly land.

Dudamel and the LA Philharmonic deliver a successful mix of the old and new at Davies Symphony Hall. 

Pinchas Zukerman celebrated the 45th anniversary of his Cleveland Orchestra debut with Mozart’s “Turkish” concerto.

Instrumental ensemble eighth blackbird performed Hand Eye, a new work by a group of young composers Sleeping Giant, accompanied by stunning visual images.

What influence does a place exert on art? Surely there is an agreed-upon “French” sound in music, a distinctive look to Flemish portraiture, but how different might the work of a Muscovite sculptor be from one based in St Petersburg? And in a global age, does place still matter? The first concert of this season’s CONTACT! New Music Series presented works by four New York composers, none natives, b

Anyone who worries for the health of contemporary composition obviously wasn’t at the Southbank Centre this Sunday, where the London Sinfonietta presented a whole afternoon and evening’s worth of new music in and around the Queen Elizabeth Hall.

Vor der neuerlichen Schließung des Hauses schwelgen die Philharmoniker noch einmal in musikalischen Erinnerungen.

Nach diesem Abend darf man sich auf interessante Resultate aus der Zusammenarbeit mit Baldur Brönnimann freuen.

En musique comme dans tout langage, un certain tropisme opère, avec son lot de lieux communs rassurants. On attend d’une formation américaine une certaine fraîcheur, et d’un chef vénézuélien, une chaleur trop souvent absente sous un climat tempéré. Il n’y a pas eu tromperie sur la marchandise. Gustavo Dudamel et le Los Angeles Philharmonic nous ont offert tout cela.