Musical passports issued by Oramo, Frang and the BBCSO

Sakari Oramo

Sakari Oramo conducts the BBCSO

By Alexander Hall, 21 January 2024

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“the opening chord delivered with sharp inflection, the angularity of the writing fully exploited”

Reviewed at Barbican Hall, London on 20 January 2024

Norman, Unstuck

Stravinsky, Violin Concerto in D major

Sibelius, Symphony no. 1 in E minor, Op.39

Vilde Frang, Violin

Sakari Oramo, Conductor

BBC Symphony Orchestra

Sakari Oramo, Yeol Eum Son and the BBC Symphony in Seoul

SangKwon Lee, 26th March

Yeol Eum Son’s Britten Piano Concerto formed the evening’s centre of gravity, played with lucid line, structural command and sudden fire. In Brahms’ Second Symphony, Sakari Oramo found conviction, proportion and a warmth that felt earned rather than applied.

****1

Sakari Oramo and Yeol Eum Son summon up vivid landscapes

Christopher Woodley, 13th March

Yeol Eum Son's superb performances of Bartók and Finzi are matched by intense and heady readings of Stravinsky and Weir by the BBC Symphony Orchestra under Sakari Oramo.

****1

From snow to sludge: Icelandic music at the Barbican Centre

Marat Ingeldeev, 22nd February

A bewildering evening at the Barbican, where ambitious Icelandic programming collapses under its lofty ambition of defying genres and making music more appealing to a wide variety of audiences.

**111

Fine Lindberg and Stravinsky double bill from the BBC Symphony

Roy Westbrook, 6th February

After a performance of Magnus Lindberg’s First Violin Concerto by Lisa Batiashvili at the Barbican, Stravinsky’s Perséphone stands the test of time.

****1

UK premiere of Julia Wolfe’s unEarth impresses on scale, not substance

Susannah Moody, 23rd January

Wolfe's climate-change oratorio, performed by the BBC Symphony Orchestra, already feels out of date.

**111

Sir James MacMillan delights with his Christmas Oratorio

David Karlin, 19th December

MacMillan's large scale choral work offers a rich variety of texts and musical ideas, the composer conducts the BBC Symphony with unerring precision.

*****

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Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.

Musical passports issued by Oramo, Frang and the BBC Symphony Orchestra