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A wonderful evening of contrasting works shows the company and guests in fine form at Palermo’s Teatro Massimo.

ABT offer some outstanding performances in a classical quadruple bill but there was a lack of confidence and uniformity within the corps de ballet. 

The 47th Nijinsky Gala in Hamburg celebrates the art of dance, the creativity of great choreographers and a totally committed company, while not forgetting what is happening not so far from our theatres.

Ivan Putrov, who has enjoyed a long career based in London, brings dancers from his homeland for a special London gala. 

An evening of sparkle and bravura at London's international ballet gala. 

Top tenors Lawrence Brownlee and Michael Spyres dared to duel at the Concertgebouw. Both emerged victorious, and not just because of the volley of sensational top notes.

There's a strong chance that the majority of the audience had never seen Louise Farrenc's Third Symphony before; conductor Laurence Equilbey made a strong case for repeat performances.

The Mediterranean setting of Auber's work is recreated by director Giorgio Barberio Corsetti with its intriguing teatro-immagine, where video projections and virtual reality are predominant.

Rare repertoire, polished orchestral playing, thrilling singing – it's no wonder London's operatic cognoscenti were out in force.

La réjouissante mise en scène de Christian Hecq et Valérie Lesort fait son retour salle Favart six ans après, avec quelques changements de casting mais pour un succès inchangé.

L'Opéra-Comique réhabilite un ouvrage-phare du XIXe siècle, le Domino noir. Mise en scène génialement inventive et casting cinq étoiles pour une production à ne pas manquer.