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The Australian Ballet's return to London's Royal Opera House after a 35 year absence, proves successful at every level.

Yuri Possokhov's Anna Karenina aims to be a dark psychological drama, but its uneven character development and unengaging choreography fail to satisfy.

After two years of pandemic disruptions, the Australian Ballet celebrates its return to the stage with this gala of impressively-chosen showstopper pas de deux.

Modanse, a double bill designed for the star Bolshoi ballerina, disappoints at the London Coliseum. 

Resident choreographer Yuri Possokhov’s Optimistic Tragedy is dedicated “to those who sacrificed their lives for future generations.” 

A unique collaboration between choreographer Yuri Possokhov and theatre director Kirill Serebennikov who adapted Lermontov's novel for the Bolshoi's new stage.

Presenting new Russian Orthodox music in a theatrical setting suggests new possibilities for the tradition, most ambitiously in the field of opera.