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A strong cast and a masterclass in Wagnerian conducting from Jakub Hrůša complement David Alden’s disturbing staging.

Andreas Homoki’s new Zurich production capitalises on some quirky staging, but features superb voices in its principal roles and shows the best of the house’s joint choirs.

January of 2017 sees the return of Verdi's Nabucco at the Deutsche Oper Berlin. This Keith Warner production of a Verdi favorite was successfully premiered by the Deutsche Oper in 2013, in the 200th anniversary year of Verdi's birth.

Better conducting and supertitles would also help breathe life into this drab revival of Bayerische Staatsoper's Don Carlo.

Nothing will make the plot of Il trovatore less ridiculous. But a director who embraces that ridiculousness, plus stellar playing and singing, make for a great show.

Cirque du Soleil producer Franco Dragone's new Aida for the Teatro di San Carlo in Naples aimed to scrub off all the bombast from this triumphalistic work. The eccentricities of the production led to a poor-quality outcome, though there was some fine singing.

Nabucco opened the season at the Deutsche Oper Berlin, marking the first time in the company’s 100-year history that Verdi’s opera has been performed. Directed by Keith Warner, known for his often flamboyant productions, and conducted by Andrea Battistoni, the opera was warmly received by a delighted audience.

Read our review of Nicholas Hytner's production of Verdi­'s Don Carlo in its 2010 broadcast from the Met Opera in New York.

Pour le premier opéra 2018 et la reprise de la saison lyrique, la première des quatre journées du cycle lyrique du compositeur Richard Wagner marquait son grand retour sur la scène toulousaine dans sa production d’avril 1999.

Wiederaufnahme am Himmelfahrtstag: Der Berliner Lohengrin lohnt vor allem, aber nicht nur wegen des einzigartigen Klaus Florian Vogt.

Bei einer Inszenierung, die nicht für jeden aufgeht, bietet diese Produktion viel Freude für die Ohren.

Giuseppe Verdis Aida hält alles bereit, was man für eine bombastische Operninszenierung braucht. Doch was, wenn man einfach auf den ganzen Pomp verzichtet und eine ganz schlichte Inszenierung wählt?