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In much anticipated role (Kaufmann) and stage (Davidsen) debuts, this revival of Peter Grimes at the Staatsoper was much anticipated, despite a production that should be put out to sea without a paddle.

Anna Netreboko chose to perform her first Elsa in Dresden with Christian Thielemann conducting.  It was a remarkable performance never to be forgotten.

There were some not-to-be-missed performances last evening in Verdi’s Otello at the Staatsoper.Dmitri Hvorostovsky is a god amongst men whose interpretation of Iago, Otello’s villainous ensign, was completely on the mark. Resplendent in his white ponytail, black leather and tattoos, he completely embodied the treacherous scoundrel bent on Otello’s destruction.

In his whole career as an opera composer Puccini only wrote one pure comedy, Gianni Schicchi, and even that forms part of his trilogy Il Trittico, of which the other parts could hardly be more tragic. However, La bohème is also a comedy in its own way, a comedy cut short by tragedy.

The Dresden Semperoper premiered a new production of Fidelio scarcely a month before the fall of East Germany. Much has changed in the intervening decade and a bit, but the Semperoper is still playing the same Fidelio. It doesn't take much knowledge of recent German history to understand why it was a sensation at the time.

Before writing a note of Gogol, composer Lera Auerbach immersed herself in the writer’s complete works and over twenty books written about him. It would take similar efforts to begin to understand this opera: taking us inside the fevered mind of its title character, Gogol is less a biographical narrative set to music than a phantasmagorical, psychological investigation.

Roberto Alagna, Aleksandra Kurzak und Dalibor Jenis bringen frischen Wind in Christine Mielitz' Inszenierung an der Wiener Staatsoper.

Stephen Gould brilliert bei seinem Rollendebüt an der Wiener Staatsoper mit einem stupenden Peter Grimes.

Anna Netrebkos und Piotr Beczalas Lohengrin-Debüt unter Christian Thielemann an der Semperoper bringt das Haus zum Beben.

Wien an Ostern ist ohne das Bühnenweihfestspiel Richard Wagners nicht denkbar, und die langjährige Produktion kann auch in diesem Jahr begeistern.