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The Polish director comes to Italy for the first time to direct Janáček's last opera, with the young Belarusian Dmitry Matvienko  conducting.

Roberto Paternostro and the Dohnányi Orchestra Budafok give plenty of spirit to Mahler's vocal symphony... sometimes to a fault.

Bizet's Carmen at Leeds Grand Theatre, directed by Edward Dick and conducted by Garry Walker, provides thought-provoking modern resonances as well as an uplifting, tune-filled experience.

Realism elbows aside romanticism in this dark departure from a star-studded tradition.

Oper Stuttgart’s new production of The Queen of Spades (Pique-Dame) pushes a directorial tendency to update opera to a modern setting to an extreme.

Daniele Gatti is the winner of the night, managing to draw an astounding outcome from a far from ideal cast.

Mauricio Sotelo's world première based on El Público, a fascinating surrealist play by Federico García Lorca, mixed flamenco and tragedy to achieve a great night of opera. 

It’s not often that operas in English get performed in Germany, and so I was somewhat surprised to see such a large and important company as the Berliner Staatsoper taking on Stravinsky’s The Rake’s Progress.

Nouvelle production à l'Opéra de Flandre : le trop rare Cardillac de Hindemith, dans l'excellente mise en scène de Guy Joosten. Menée par le superbe Simon Neal, la distribution homogène contribue à la réussite de l'ouvrage.