Lloyd-Evans' new production of Mozart's classic might be traditional, but there's no lack of astuteness in his direction of his characters. Problems in the pit hinder an otherwise strong musical performance.
Joseph Haydn’s opera Orlando Paladino was once cited as “a mixed salad of madness, mayhem and true love”. A recent revival in Zurich supports that assessment.
Theatre director Christoph Marthaler is renowned – if notorious – for his “off the wall” productions and adherence to bad boy antics. This Viaggio was no exception.
Pour l'ouverture de la saison de l'Opera de Lille, Antonello Allemandi et Jean Bellorini proposent une Cenerentola pleine de fantaisie et de mouvement. Une production très inspirée par l'univers cinématographique... et la bicyclette !
