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I can certainly attest that this was the closest I have ever felt to watching a 3-D thriller in Dolby Surround Sound whilst at the opera.

The production is a disconcerting combination of cold metallic future and Neanderthal aesthetics – a startling pairing of humanity’s beginning and its end. 

All five of the Houston Grand Opera’s performances of Die Walküre sold out immediately – more than 13,000 seats – and there are several good reasons why.

La Fura dels Baus's production balances the familiar with modern detail in a clever staging that packs a real punch. The Arena enjoyed its centennial edition last year, and one wonders whether this might be the production that they celebrate the next time around.

My preparations for a Thursday evening trip to Lincoln Center: studying the super-formula of Stockhausen’s 29-hour opera project, entitled Licht; choosing an outfit in the perfect shade of cerulean; girding myself for a panic attack similar to the one I experienced the last time I witnessed a section from Licht (Oktophonie).

Carlus Padrissas Turandot wirkt auf das Publikum irgendwo zwischen einem psychodelischen Trip und Reizüberflutung und setzt gleichzeitig neue Maßstäbe für innovative Regieopern.