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A compelling performance of MacMillan's Romeo and Juliet from an excellent cast, proves to be a triumph for Patricio Revé, debuting with the Company and paired with Natalia Osipova.

A triple bill of works by Balanchine shows off both the dancers’ versatility and his own wide ranging skills as a choreographer. 

“But, soft, what light through yonder window breaks?” Yasmine Naghdi reaches new interpretative depths in this revival of Sir Kenneth MacMillan’s classic Romeo and Juliet. 

A diverse triple bill, both musically and choreographically, this has been a gamble that's paid off.

A mixed programme of all-British choreography, including a world premiere, offers something for everyone.

Crystal Pite’s Angels’ Atlas offers a strange closer for the NBC's program in their brief run at New York City Center.

Which choreographer's adaptation of A Midsummer’s Night Dream is superior, Ashton or Balanchine? This season, New Yorkers get to compare as ABT revives Ashton's The Dream as part of its Fall season. 

Sir Kenneth MacMillan’s Habsburg history lesson comes with a cast list as long as your arm, but the plots and intrigues ensure a gripping evening at the ballet.

A richly varied trio of works celebrate The Royal Ballet's former director, performed with sincerity and panache. 

Norwegian National Ballet opened its new run of Natalia Makarova’s staging, with Whitney Jensen and Lania Atkins making outstanding impressions as Nikiya and Gamzatti. 

During her long career as a principal (19 years and counting), Juliet has never been an obvious pièce de résistance for Núñez. That is, until now.

BRB's director, Carlos Acosta, has taken a hands-on approach to coaching the principals in their roles in this season opening production. 

Francesca Hayward is a captivating Juliet as Sir Kenneth MacMillan's hardy perennial is back for another long run at the Royal Opera House. 

A ballet of charming nonsense, led by a triumvirate of exceptional performances 

The first mixed programme of the new season is led by a stellar cast.

A brief but innovative tribute to the lasting influence of Merce Cunningham in the Linbury Theatre

The Royal Ballet season opens with a MacMillan favourite, his ballet adaptation of a novel more familiar for its operatic treatment. 

As part of their Shakespeare400 celebration, BRB give a touching account of the Bard's timeless classic Romeo and Juliet.

An enchanting Ashton double bill in Birmingham comprising The Dream, to mark Shakespeare400, and A Month in the Country. 

Si la chorégraphie de Rudolf Noureev n'est pas la plus féerique, on ressort du ballet avec des étoiles dans les yeux, notamment grâce au duo formé par Paul Marque et Inès McIntosh.

Drame sulfureux en trois actes s’inscrivant dans la veine des grandes fresques narratives léguées par MacMillan, Mayerling laisse un goût d'inachevé malgré la belle prestation du Ballet de l'Opéra de Paris.