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Rambert’s double bill, clearly a joyous experience for the many who leaped to their feet whooping, but perhaps a bit lightweight for anyone not quite so easily satisfied with novelty.

A mixed bill with mixed results from Hubbard Street Dance Chicago at the Joyce Theater in New York.

Stigma is a monumental work, with a wealth of serious reflection on where we are as the human race on a fragile planet.

Strømgren’s choreography is remarkably eloquent with emotionally charged movement in a fast-paced performance with a serious message.

The appetite for all things true crime is not a new trend. Podcasts, YouTubers, influencers and documentaries, this obsession has held a captive audience for well over a decade now.

A diverse triple bill, both musically and choreographically, this has been a gamble that's paid off.

The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill. 

Cathy Marston is a choreographer who excels in narrative ballets but seldom in a literal sense. 

In her first work for the Covent Garden main stage, based on the life of Jacqueline du Pré, choreographer Cathy Marston explores the profound bond between musician and instrument.

Director and choreographer Jo Strømgren's production of Gluck's Orfeo ed Euridice brings together ballet and opera, but succeeds only with limited results.

Entre une pièce des années 1950 de Balanchine et les deux créations récentes des chorégraphes Mthuthuzeli November et Christopher Wheeldon, le programme mixte néo-classique produit un effet mitigé.

Avec un défilé, des adieux, une pièce très oubliable, deux nouveautés et la reprise de Blake Works I, la rentrée des danseurs de la Grande Boutique a été contrastée.

Johan Inger présente sa nouvelle création Don Juan au Théâtre de Chaillot. On regrette le manque de portée sociétale de la pièce, à l’heure où la prédation sexuelle est dans tous les débats.

Roman Novitzkys Impuls ist ein Geben und Nehmen, ein Meisterwerk von knapp dreißig Minuten.