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Romeo Castellucci's new production of Daphne for the Staatsoper reflects on our relationship with nature, subverting the perspective of Richard Strauss' opera.

Following his Requiem at the 2019 Aix Festival, Romeo Castellucci surprises us with the purity and humility of his Mahler Second, conducted remarkably by Esa-Pekka Salonen.

The pairing of controversial director and bad-boy conductor brings some thrills but the Salzburg Festival's new Don Giovanni proves disappointingly uninvolving. 

Romeo Castellucci’s inspiring and spiritual production lands in Berlin, with a superb cast of Baroque specialists and the B’Rock Orchestra under the baton of René Jacobs.

Romeo Castellucci firma esta producción y capitanea una escenificación potente, incisiva, aunque poco emocional donde la archiconocida misa de difuntos transmuta a un canto por la celebración de la vida.

Romeo Castellucci nos ofrece un evocador ejercicio de creación y vanguardia artística, fiel a la esencia de una misa de réquiem.