Requiem de Mozart dominado por lo visual a cargo de Castellucci

By Maria Sánchez, 22 February 2025

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Reviewed at Gran Teatre del Liceu: Auditorium, Barcelona on 19 February 2025

Mozart, Requiem in D minor, K626

Romeo Castellucci, Director, Costume Designer, Set Designer, Lighting Designer

Piersandra Di Matteo, Dramaturgy

Silvia Costa, Directora de escena asociada

Evelín Facchini, Choreography

Orquesta Sinfónica del Gran Teatre del Liceu

Giovanni Antonini, Conductor

Coro del Gran Teatre del Liceu

Pablo Assante, Choirmaster / chorus director

Anna Prohaska, Soprano

Marina Viotti, Mezzo-soprano

Levy Sekgapane, Tenor

Soloman Howard, Bass

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Maria Sánchez, 12th January

A highly unbalanced premiere, its opportunity to become one of the Liceu's historic productions prevented by the contrast between dramaturgy and music.

****1

Ballo del Teatro dell’Opera di Roma: a fresh look at Swan Lake

Graham Watts, 19th July

An innovative angle on a familiar ballet, Benjamin Pech's production brings some novel ideas to fore.

***11

Àlex Ollé's La bohème gets an unfair reception at the Liceu

Maria Sánchez, 14th June

Contrasting sensations at the Liceu, where the audience punished a production of La bohème with boos and gave rapturous applause to a cast that performed at half throttle.

*****

Aleu's video brilliance powers a dystopian Liceu Turandot

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Fine musical performances blend with staggering video artistry in Aleu's spectacular science-fiction setting.

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Thomas’ Hamlet in concert at the Liceu

John Marten Barnard, 10th March

Ambroise Thomas’ Hamlet in concert in the Gran Teatre del Liceu in Barcelona is enthusiastically conducted by Daniel Oren.

****1

Vocal sparkle but a dull staging in the Liceu's Puritani

John Marten Barnard, 11th October

I puritani returns to Barcelona’s Liceu with Annilese Miskimmon’s production. Javier Camerena and Pretty Yende lead the inauguration of the season with a fine example of romantic bel canto.

****1

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Maria Sánchez

Nacida en Barcelona, se formó musicalmente a una edad temprana y de manera autodidacta. Graduada en Historia del Arte (Universitat de Barcelona) y posteriormente formada en el máster Música como Arte Interdisciplinar (Universitat de Barcelona / ESMUC / Universitat Rovira i Virgili), se especializó en el estudio y creación de nuevos lenguajes escénicos y musicales. Ha llevado a cabo la creación de proyectos dramatúrgicos en torno a la reformulación del mito clásico en las artes escénicas contemporáneas, eje vertebral de sus estudios. En la actualidad, continúa proyectando nuevos discursos y planteamientos sobre la supervivencia del mito en lo social y lo artístico.

Requiem de Mozart: una propuesta más visual que auditiva en el Gran Teatre del Liceu