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Saburo Teshigawara sets Rameau’s opéra-ballet Pigmalion as a compelling dance performance

Chief performers of the Swedish musical scene give a superb performance of Messiah at the Stockholm Concert Hall.

Kenneth Montgomery leads the Orchestra of the 18th Century and a fine team of young soloists in a swift, finely detailed interpretation of La clemenza di Tito.

Anders Dahlin's haute-contre shines in in a concert led by Mariangiola Martello in the Grünewaldsalen.

Le nozze di Figaro is called Figaro’s Bröllop in Swedish, which sounds quite funny to ‘non-Svensks’. With Marcellina behaving like a total trollop, all that is needed to complete the rhyming triplet are the Wallops at Glyndebourne.

A winning young cast discovers that all's not well that ends well in the Orchestra of the Eighteenth Century’s virtuosic Così fan tutte at the Royal Theatre Carré in Amsterdam.

On Good Friday, Cappella Amsterdam, conducted by Daniel Reuss, gave a beautifully refined rendition of Bach's St John Passion at the Muziekgebouw aan 't IJ in Amsterdam, accompanied by the Orchestra of the Eighteenth Century and the riveting Evangelist of Anders Dahlin.

Christophe Rousset and Les talens lyriques present a delightful concert performance of Rameau's five-in-one opéra-ballet Les Indes galantes.

L'Opéra de Dijon propose une version de Paris d'Orphée et Eurydice dont les partis pris de mise en scène et de direction musicale déconcertent sans parvenir à convaincre.

Quoi de plus cohérent pour une saison versaillaise célébrant le tricentenaire de la mort du plus absolu des monarques français, que de programmer les subversives Noces de Figaro à l’Opéra Royal ?

Les Nouveaux Caractères de Sébastien d’Hérin insufflent avec inspiration une nouvelle vie à l’œuvre de Jean-Marie Leclair dans sa Lyon natale.