Mark Elder and the LPO's performance of Puccini's Le Willis proved interesting and frustrating in equal measure, rescued by a star performance from Ermonela Jaho.
Sir Mark Elder and The Hallé orchestra are the powerhouse in a memorable performance of Siegfried. Simon O’ Neill, Iain Paterson and Christine Goerke head up a universally strong cast.
Dismembered after the 1840 bankruptcy of its promoter, Opera Rara's decade-long reconstruction has resulted in a beautifully constructed opera that's enjoyable throughout.
In the sublime funeral march of the Larghetto Elder set a daringly slow tempo, producing a cumulative, sorrowing eloquence as each LSO section tossed its melodic tribute on to the passing cortège.
A stirring account of Elgar’s First Symphony from Sir Mark Elder and the LSO, with a rare outing given to Janáček’s last orchestral work and Francesco Piemontesi polished in Bartók.
A thrilling concert by the National Youth Orchestra of Great Britain conducted by Sir Mark Elder culminated in a sinister and atmospheric performance of Duke Bluebeard's Castle.
"Muddle instead of music": three foreboding words laden with threat and designed to destroy the reputation of a promising composer writing in the grip of the Iron Fist.
The Halle orchestra combined forces with a troup of actors to deliver a Beyond The Score analysis & performance of Dvorak's famous 9th Symphony (from the New World.)
Sir Mark Elder conducted the LSO through a series of inimitable Russian works while the star player veered off course to formulate her own new genre – quite deliciously.
It was here in Manchester, only a stone’s throw from the modern Bridgewater Hall, where Hans Richter gave the first – and by all accounts, highly acclaimed – performance of Elgar’s First Symphony.
The Metropolitan Opera's new produdtion of Rusalka fails to explore a deeper complexity of the fairy tale, although a strong ensemble of singers and the superb Met Orchestra make it a musically compelling performance.
The Hallé and Sir Mark Elder gave superb performances of Tchaikovsky's Hamlet and, with Benjamin Grosvenor, Liszt's Piano Concerto no 1. Their Beethoven Pastoral Symphony was disappointing in contrast.
Complete performances of Semiramide are as rare as hen's teeth. Opera Rara came close in a terrific concert performance in the Hanging Gardens of Kensington.
A strange combination of a Berlioz overture, a commemorative work and Mahler's Das Lied von der Erde with the Hallé, Sir Mark Elder, Alice Coote, Gregory Kunde and Leonard Elschenbroich.
Weaknesses in the staging did little to dim the musical pleasure of hearing Sir Mark Elder conduct Weber's masterpiece with OAE forces and an impressvee cast
The Hallé and Sir Mark Elder start their Dvořák festival with a concert demonstrating the glories of his lesser known music including Francesco Piemontesi starring in the Piano Concerto.
To mark the centenary of the Battle of the Somme, Mark Elder and the London Symphony Orchestra brought together music with a connection to the First World War.
A superb concert from the Hallé and Sir Mark Elder included John Casken's 2014 oboe concerto Apollinaire's Bird, a rare piece by Elgar and Vaughan Williams' powerful Fourth Symphony.
Jeremy Denk gave an athletic performance of Bartók's formidable second piano concerto, complemented by a Dvořák overture and two major works of Janáček.
Stravinsky, Delius's evokation of the experience of Norwegain mountains, Rachmaninov and Tchaikoskyin a stunning concert by the Hallé, the Hallé Choir and Sir Mark Elder
Sir Mark Elder conducted the Hallé in a fine Shostakovich 15 following moving performances of Rachmaninov's The Isle of the Dead and Mahler's Kindertotenlieder, expertly sung by Roderick Williams.
Sir Mark Elder led the Royal Concertgebouw Orchestra and an inspired team of soloists headed by Klaus Florian Vogt into a highly-charged performance of Lohengrin.
A Tchaikovsky rarity conducted by talented newcomer Harish Shankar were followed by Beethoven and Rachmaninov played by established masters Stephen Hough and Mark Elder in a fine Hallé concert.
This performance marked Sir Mark Elder’s debut with the company and, beginning with the overture, he offered his individual interpretation of the score. He had an enormous range of dynamics and his tempi varied widely with the emotional values of each scene.
The task sounded Herculean: turning Benvenuto Cellini, that reputedly difficult, flawed work by Berlioz, into an utterly entertaining show that renders justice to its youthfully energetic music. This is what Terry Gilliam manages to pull off... and it is nothing short of miraculous.
Sir Mark Elder conducts the Hallé in a concert to celebrate the 500th anniversary of Manchester Grammar School, with Holst's Planets alongisde O'Regan's Celestial Map of the Sky.
Employing a new critical edition by Flora Willson, Mark Elder led the forces of The Orchestra of the Age of Englightenment in a concert performance of Donizetti's Les Martyrs, which demonstrates what a tremendous work it is.
The music was so convincingly Czech and so naturally bucolic in outlook that I was left at the end wishing that we might hear more Dvořák from the Hallé/Elder partnership.
