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Many world class performances to enjoy in this 20th edition of the annual Ballet Icons Gala.

In true Ballet Nights tradition, Bound in Motion presented the Cadogan Hall audience with an eclectic mix of old and new works and some outstanding performances.

Ballet of the National Theatre Brno, with guest artists, gave outstanding performances of this update of a great 19th century ballet.

Highs and lows within a glamorous mixed bag of choreography are inevitable when people are travelling from around the world.

Carlos Acosta's Don Quixote is a dazzling production which stands out for its lack of filler moments. There are no slow crowd scenes, just flat out dancing.

With sumptuous new set designs and costumes, The Royal Ballet are in splendid form in Sir Frederick Ashton's Cinderella.

Throughout the entire cast, every named role was performed with the mix of enthusiasm, affection and assuredness.

Back on stage after stopping for the lockdown, Le Corsaire by José Carlos Martinez for Rome Opera Ballet creates a narrative ballet for our time, with an ancient flavour but a contemporary attack.

A richly varied trio of works celebrate The Royal Ballet's former director, performed with sincerity and panache. 

A compelling performance of this revival, dedicated by Vadim Muntagirov to the people of Ukraine.

Marianela Nuñez and Vadim Muntagirov still reign over The Kingdom of Sweet as The Nutcracker returns to Covent Garden for a marathon run of performances over the Christmas season. 

Marianela Núñez possesses a shimmering, celestial radiance and Vadim Muntagirov is a Prince in his prime.

An evening of George Balanchine and Jerome Robbins at Covent Garden, topped by a beautifully poignant rendering of Dances at a Gathering.

The first post-lockdown performance by The Royal Ballet offer an important indicator for the company's future.

Sir Peter Wright’s festive treat is back – and Covid-secure – as the Royal Opera House stages its first full-length staged performance since the theatre closed in March.

The whole Company exudes bravura and panache in gala programme headlined by a Zucchetti premiere and a Wheeldon classic.

An event that will be long-remembered for the importance of the occasion, if not for its content. 

Dame Sarah Connolly and David Butt Philip prove that less really can be more.

An opulent production that is both reassuringly traditional and refreshingly new. 

The first mixed programme of the new season is led by a stellar cast.

The Royal Ballet season opens with a MacMillan favourite, his ballet adaptation of a novel more familiar for its operatic treatment. 

A memorable and important event in the history of British ballet, sensitively and sentimentally performed. 

The Firebird/A Month in the Country/Symphony in C is an effective and enjoyable programme to close The Royal Ballet's season.

Despite Carlos Acosta's staging of Don Quixote feeling a little tame, The Royal Ballet's star couple dazzles. 

What marks the start of Christmas? For many, it's when the Christmas tree magically grows in The Royal Ballet's Nutcracker...

With all the right ingredients – acte blanc, love intrigue, dramatic death – La Bayadère is a classic Russian ballet.

A new Swan Lake is a test for any ballet company. Expectations ran high, but Liam Scarlett's new production hit the target. 

A strongly cast revival of The Winter's Tale by The Royal Ballet confirms one of Shakespeare's "problem plays" as perhaps being best suited to dance. 

Marianela Núñez was in her element as the huntress in Ashton's charming ballet. 

This Ashton programme at the Royal Ballet displays all the hallmarks of the Ashton style; lightness, musicality and a beautiful quality of stillness.

Virtuosity commanded the stage in the first half, drama and mood in the second, with Liam Scarlett’s new ballet a fitting tribute to the retiring Zenaida Yanowsky

A star studded programmme of works celebrating the legacy of Les Ballets Russes

A return of the company's signature work found The Royal Ballet fielding an excellent cast led by Sarah Lamb and Vadim Muntagirov. 

With little fanfare, other than a cockerel crowing from the pit, the Royal Ballet crept to life for its new season. For a couple of hours, all was right with the world.

The Royal Ballet revives Kenneth MacMillan’s The Invitation, to great public acclaim and with excellent performances in the main roles. The programme also features McGregor's new Obsidian Tear and Wheeldon's Within the Golden Hour.

Wayne McGregor pulls together a stellar all male cast for the Royal Ballet's world première of hisnew work, Obsidian Tear. 

This Royal Ballet programme shows Sir Frederick Ashton's versatility of subject while never scrimping on unmistakeable style.

Carlos Acosta's Carmen premieres at the Royal Ballet, alongside Robbins' Afternoon of a Faun, Balanchine's Tchaikovsky Pas de Deux and Scarlett’s Viscera.

Considering its French title, Sir Frederick Ashton’s ballet La Fille mal gardée is quintessentially English. Laura Morera and Vadim Muntagirov brought the bright spring sunshine from outside to flood the auditorium in delightfully sunny performances.

Internationally-renowned dancers perform a diverse range of choreography for the Russian Ballet Icons Gala's tenth anniversary.

National Ballet of Japan’s La Bayadère boasts a magnificent corps de ballet, and with prima ballerinas Ayako Ono and Yui Yonezawa as the lead ladies and guest star Vadim Muntagirov as Solor, this highly dramatic and thrilling perfomance of La Bayadère makes for a memorable evening.

With such a fine couple as Marianela Núñez and Thiago Soares leading the drama, John Cranko's Onegin touches the heart at The Royal Ballet. 

National Ballet of Japan created a new version of Sleeping Beauty reimagined by Wayne Eagling. Vadim Muntagirov of Royal Ballet guested, and Yui Yonezawa was Aurora.

English National Ballet has performed The Nutcracker every year since it was founded in 1950. The latest version, by former company artistic director Wayne Eagling, has a great deal of charm and a stunning leading couple. At the London Coliseum. 

Rudolf Nureyev was born in 1938 and died in 1993, making 2013 the 75th anniversary of his birth and the 20th of his death. English National Ballet have cause to be deeply grateful to Nureyev: he gave them (in their previous incarnation as London Festival Ballet) their popular Romeo and Juliet, and lent his box-office appeal as a principal dancer to numerous other productions.

For their second show in the London Coliseum this year, English National Ballet has presented the first programme entirely designed by its new artistic director Tamara Rojo. In the line of her vision of enriching the company’s repertory with new works, while at the same time honouring the classics, the triple bill built for the occasion is a fascinating combination of old and recent masterpieces.

At the opening night of Kenneth MacMillan’s production of The Sleeping Beauty in London, all eyes were on English National Ballet’s new artistic director, up on stage – rather than in the audience. Would she still be able to hold her balances on pointe now that she is also required to balance the office books?The answer is a resounding yes.

To sit directly under the splendid chiaroscuro dome of St Paul's Cathedral, with angels, apostles and Christ himself glittering down from mosaiced arches, is to be in the middle of astonishing beauty.

While the first of English National Ballet’s tributes to the Ballets Russes focused on works with a ‘nature’ theme, this second programme was more sporty – an apt topic for London 2012. First, there is Apollo, one of the most important and complex of the Olympian deities, then a game of tennis. Then there is an acrobat, and, finally, a marathon of non-stop technical classical feats.

English National Ballet’s early summer spectacular offers an evening of glamour, glitz and gorgeous gowns all neatly wrapped in the glorious music of the Gershwin brothers. Choreographed and directed by Derek Deane, it combines a medley of songs, music and various dance styles – classical ballet, ballroom and tap dancing --to suit every taste.