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Agony, ecstasy and a double murder: Bill Barclay and The Gesualdo Six combine for a theatrical concert celebrating the life – and death – of the Renaissance composer.

Delightful Dvořák and ravishing Vaughan Williams headline the London Mozart Players’ ‘Flights of Fancy’ concert at St Martin's-in-the-Fields. 

The Academy of St Martin in the Fields are back on their home turf for string orchestra works by Tippett and Walton. 

A scintillating account of an all-Mozart programme at St Martin-in-the-Fields with a mighty concerto, a mightier symphony and one of his more unusual overtures.

Has St Martin-in-the-Fields ever heard a more polished performance of that Baroque evergreen, The Four Seasons?

Nigel Short's elite consort casts a candlelit spell at St Martin-in-the-Fields in a performance of Rachmaninov's All Night Vigil.

Refined if sometimes raucous pleasures from Haydn and Mozart as the EBS continues its European tour. 

How do you conduct the same over-familiar work for the 200th time, and make it sound quite new?

On Easter Monday, this year's London Handel Festival came to a close with Handel's youthful oratorio La Resurrezione in the suitably Baroque setting of London's St Martin-in-the-Fields.

Giuseppe Antonio who? Adrian Chandler and La Serenissima make a case for the works of Brescianello on a bill shared with the Red Priest. 

The Brandenburg Choral Festival is an enormous endeavour, with hundreds of concerts all over London, featuring all kinds of choral music and a diverse range of performers. Tonight we were in the beautiful church of St Martin-in-the-Fields, the heart of the festival, for a late-night concert of stunning Tallis, Byrd and Allegri by candlelight.

Even at 9.20 on a cold Thursday evening in January, there were queues out the door to hear the Pegasus Choir’s debut at the Brandenburg Choral Festival. As the sixteenth concert of 66, the performance certainly needed something special to attract the crowds. This was achieved by programming Rachmaninov’s magnificent All-Night Vigil – perhaps one of the most famous settings of the Vespers.

After the overload of concerts and carol singing around Christmas, most choirs have a well-deserved break before starting for another year, but not Vivamus. This young London-based choir entered 2013 in style with a candlelit concert for Epiphany. The concert’s main advertised work was Britten’s A Ceremony of Carols, with other composers on the programme including Leighton, Howells and Whitacre.

The “Bach B minor” is a classic amongst choral singers, but although parts of it are so familiar and the name is often tossed around casually, upon hearing it you are reminded why it has the status it does. Bach never heard the mass in its entirety and the movements were written years apart, explaining why there is such a huge range of style; this means we are spoilt as an audience.

The two masses in this intriguing and very enjoyable programme made a thought-provoking contrast. Stravinsky was anxious that his mass be cold – indeed, as the bass singer Simon Scott Plummer’s useful programme notes told us, he wanted the music ‘very cold, absolutely cold, that will appeal directly to the spirit.

A landmark in Trafalgar Square, St Martin-in-the-Fields was London’s first free-lending library, is home to one of the world’s foremost chamber ensembles (The Academy of St Martin in the Fields), and puts on hundreds of classical music concerts each year.

La rencontre entre John Butt et l'Academy of St Martin in the Fields est un rendez-vous manqué, à peine rattrapé par la belle interprétation de pièces d'Errollyn Wallen.

En l'église de St Martin-in-the-Fields à Londres, la Maîtrise Notre-Dame de Paris se joignait aux musiciens du Southbank Sinfonia pour un voyage mozartien éclairé à la bougie. 

On peut facilement imaginer que les Vêpres de Rachmaninov sont une oeuvre de Noël. Après tout, "Bogoroditse Devo" figure si souvent dans les programmes de chants de Noël, qu'on l'associe volontiers aux longues soirées d’hiver.