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Omicron may have led to the cancellation of Janáček's choral epic, but Lukás Vondráček stepped in to perform Rachmaninov. 

Edward Gardner clearly has a thing for the Czechs. A month after he made his Royal Opera main-stage debut with Janáček's Katya Kabanova, here he was with the Filarmonica della Scala to conduct a strongly Czech programme.

On its current concert tour in Switzerland, the Czech Philharmonic Orchestra treated audiences to a programme of works by two of its homeland's most illustrious composers.

Despite the burbling streams with which Smetana's Vltava trickles into life, this was no pastoral stroll on the gentle slopes of Bohemia, Hungary and Poland.

As part of the short series of concerts curated by Jakub Hrůša, Bohemian Legends,focusing on Czech music from its golden era 1850 – 1950 and featuring three of its greatest masters (Dvořák, Janáček and Suk), the Philharmonia treated us to a collection of almost excessively rousing works.

Sous la direction du jeune chef tchèque Jakub Hrůša, l'orchestre viennois a montré tout son savoir-faire et sa personnalité sonore dans un programme copieux, constitué de tubes de Janáček, Prokofiev et Chostakovitch.

Jakub Hrůša und seine Bamberger Symphoniker gestalteten mit Christian Gerhaher eine fein gezeichnete Uraufführung von Jörg Widmann Das heiße Herz.