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An evening of Schubert in Washington DC, ending with Luciano Berio's "restoration" job, Rendering. 

The vocal items in this programme were the most successful, driven as they were by Bauer's searing interpretations.

Size mattered in this programme, whether in the form of piano originals filled out to orchestral proportions, or Romantic reach reined in by Classical sensibility. The evening’s opening gesture was down to one man, Ian White, whose muted trombone ushered in Webern’s orchestration of the Ricercar from Bach’s 1747 Musical Offering.

The Dallas Symphony Orchestra opened their latest series on Thursday with works by John Luther Adams, Schubert, Richard Strauss, and Shostakovich. The German baritone Matthias Goerne joined the DSO and Artistic Director Jaap van Zweden for a performance that was moving and powerful enough to far outshine a couple of puzzling managerial decisions.

Dans le cadre du festival « Coups de cœur de Chantilly », le quatuor français était l'invité d'honneur d'un beau diptyque de concerts, avec le Quatuor Elmire, Laurène Durantel, Iddo Bar-Shaï et Matthias Goerne.

Leopold Godowsky als Modellpianist hat in Konstantin Scherbakov einen idealen Interpreten gefunden.

Certainement ne manquait-il qu’une adhésion commune, une complicité partagée malgré les efforts et les tentatives des trois artistes. La magie n’était définitivement pas au rendez-vous cette après-midi…