Pairing music from the 18th and 20th centuries is a common programming strategy, one which can bring out interesting parallels between the musical preoccupations of two very different eras. Some 20th-century composers looked to the more distant past as a way of engaging with traditions before the emotionally coercive 19th century.
“Please silence all electronic devices and refrain from talking. This evening’s program will be presented without intermission or breaks for applause. It is our hope that this structure will assist in providing a meaningful experience...
If only Mozart could’ve been there! Had he only one concert to attend from beyond the grave, Wolfgang could have done worse than head to Coventry Cathedral and its sumptuous acoustic on Saturday night. Here he would have been treated to a performance of his final symphony, no.41 ‘Jupiter’ – never heard in his lifetime – alongside his 'Great' Mass in C minor – which he never completed.
Die Sinfonietta Rīga unter Sigvards Kļava überzeugte im Kissinger Max-Littmann-Saal mit einer sehr verinnerlichten Aufführung von Schlüsselwerken Arvo Pärts
Programme puis projet de plus grande envergure conçu par Joyce DiDonato après les attentats de novembre 2015 à Paris, ce récital repris cette saison dans "Les Grandes Voix" aux côtés de l'orchestre Il Pomo d'Oro dirigé par Maxim Emelyanychev résonne de façon significative avec l'actualité et propose de repenser la question de la paix autant que celle de l'expérience du concert.
