Live, Video: Find classical music concert, opera, ballet and dance reviews | Gloria, FP 177

The guest conductor pairs Holst's perennial crowd pleaser with Poulenc's Gloria, a work deeply associated with the Boston Symphony Orchestra.

An eclectic evening of vividly communicative music-making in Gloucester Cathedral, superbly directed by Adrian Partington. 

The CBSO’s newly-announced Chief Conductor delivers a jaw-dropping season opener featuring French and Russian music full of emotional contrasts.

The Boston Symphony Orchestra under the baton of Andris Nelsons opens its 139th season with Poulenc, Beethoven and a world premiere of Eric Nathan's Concerto for Orchestra.

RSNO’s sparkling Prokofiev, heroic Tchaikovsky and lush Poulenc which celebrated 175 years of the RSNO Chorus was eclipsed by 80 Glasgow schoolboys who sang their hearts out with three songs from All Those Men Who Marched Away.

A rare concerto and a familiar choral work anchor a Virginia Symphony concert that celebrates the French musical spirit.

Celebrating its 60th anniversary, the Chicago Symphony Chorus made this evening truly distinctive.

Conductor Tomáš Netopil reprises the spirit of the festival and adds a modern burnish with an energetic performance of a smart, satisfying program.

Romanian conductor Cristian Măcelaru was rapturously received as guest conductor for this brilliantly original and eclectic programme with the Hallé. 

Charles Dutoit conducts the RPO in strikingly colourful performances of Ravel's Daphnis et Chloé and Poulenc's Gloria. 

I find it difficult to remember the last time I attended a concert in which I was met with just about everything that I wanted to hear, settled alongside facets of performance that I hadn’t yet encountered. Perhaps tonight was, indeed, my first such experience.Thomas Søndergård’s rendition of Poulenc’s Gloria realised everything that I find I intuitively hope to hear from it.

With his centenary year fast approaching, Saturday night’s concert was a celebration of all things Britten. The festivities have certainly begun in style in Oxford, with Nicholas Cleobury leading the Oxford Bach Choir, the English Chamber Orchestra and soprano Elizabeth Atherton in some truly outstanding music-making.

This was the showpiece concert of this year’s City of London Festival and took place in the spectacular surroundings of St Paul’s Cathedral. Three key French composers were featured, concluding with well-known 3rd Symphony of Saint-Saëns. The first performance of this work was conducted by Saint-Saëns in London in 1886 in the long-since demolished St James’s Hall.

L'orchestre et son directeur musical ont servi un programme gastronomique et copieux, reliant dans un même geste Boulez, Debussy, Poulenc et Ravel.

Le compositeur et chef d'orchestre Gilles Raynal présentait à Clermont Ferrand sa dernière création : Mémoire d’une pomme, œuvre hommage à Satie.

Au bout de quatre décennies de bons et loyaux services rendus à l'Auditorium de Lyon, à ses musiciens et à son public, un grand chef de chœur a tiré sa révérence : Bernard Tétu. C’est avec un délicieux programme de musique française que se clôt un grand chapitre d’histoire vocale lyonnaise.

Le Gloria de Poulenc et Daphnis et Chloé de Ravel : deux chef-d'oeuvres de la musique française que nous offrent les musiciens de l'ONF et du Chœur de Radio France dirigés par Bernard Haitink. Les mots d'ordre de ce concert sont la clarté, l'intelligibilité du propos au service d'une expressivité sincère et sans fards.